8.5 Music, Our Take, ReviewsJanuary 28, 2022<January 28, 2022 Our Take: Christina Aguilera Makes a Triumphant Return to Latin Music with ‘La Fuerza’ by Josh Weiner
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<January 27, 2022 “Universe, Pain, & Love”: A Track-by-Track Breakdown of The fin.’s Kaleidoscopic Album ‘Outer Ego’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<February 7, 2022 “From the Muscle”: Verb Tec & Vanderslice’s ‘No Struggle No Progress’ Is an Undeniable Record of Ambition & Triumph by Mitch Mosk
Features, Music, Reviews, Track-by-TrackJanuary 26, 2022<January 26, 2022 “Being Here Now”: Penny and Sparrow Soar on ‘Olly Olly’, Their Free-Spirited & Triumphant 7th Album by Mitch Mosk
Features, Interviews, MusicJanuary 26, 2022<January 26, 2022 Interview: 1 Track Per Month x 10 Months = A ‘Bonfires’ LP for Indie Rockers Jimkata by Josh Weiner
Debut, Features, Music, Reviews, Track-by-TrackJanuary 25, 2022<January 24, 2022 “Nebulous, Haven, Healing”: Glass Echoes Stun with Fragile & Cinematic Debut Album ‘Breathe’ by Mitch Mosk
Features, Music, ReviewsJanuary 24, 2022<January 24, 2022 The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie by David Buyze
Debut, Features, Interviews, MusicJanuary 21, 2022<August 12, 2022 Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’ by Mitch Mosk
8.2 Music, Our Take, ReviewsJanuary 19, 2022<March 2, 2025 Our Take: Nas Has Plenty of ‘Magic’ Left to Spin on 15th LP by Josh Weiner
Debut, Features, Interviews, MusicJanuary 19, 2022<August 15, 2022 “Funk, Feeling, Future”: Joel Culpepper on His Soulful & Triumphant Debut ‘Sgt Culpepper’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackJanuary 14, 2022<January 14, 2022 “Scared of Love”: Inside Linying’s Beautifully Intimate & Therapeutic Debut ‘There Could Be Wreckage Here’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 14, 2022<January 18, 2022 “Love, Loss, & Rebirth”: Inside Emily Blue’s Enchanting ‘The Afterlove,’ an Album of Self-Love, Dance, and Reckoning by Mitch Mosk
Features, Interviews, MusicJanuary 14, 2022<January 15, 2022 Isolated In Space and Time: Tall Heights Release Third Full-Length Album ‘Juniors’ by Coco Rich
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 14, 2022 “Change, Pressure, & Release”: The Achingly Intimate Depths of morgxn’s ‘MERIDIAN: vol 2’ by Mitch Mosk
Features, Interviews, MusicJanuary 13, 2022<March 7, 2023 A Thesis of Heat: The Lumineers Dive into Hopeful & Cathartic 4th Album ‘BRIGHTSIDE’ by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
