7.5 Music, Our Take, ReviewsJune 10, 2021<June 10, 2021 Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’ by Josh Weiner
Features, Interviews, MusicJune 10, 2021<June 10, 2021 Interview: Evan Greer Reimagines the World on ‘Spotify Is Surveillance’ by Oliver Crook
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Features, Interviews, MusicJune 8, 2021<February 26, 2022 ‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love by Mitch Mosk
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10 Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021 “Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’ by Mitch Mosk
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Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021 “Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’ by Mitch Mosk
Features, Interviews, MusicJune 4, 2021<June 4, 2021 BETWEEN FRIENDS Prioritize Thinking Less & Enjoying More, Generating Their Most Authentic Music to Date by Kelsey Fitzgerald
Features, Music, Reviews, RoundtableJune 4, 2021<June 29, 2024 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘SOUR’ by Atwood Magazine Staff
Music, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021 Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’ by Mitch Mosk
Music, Premieres, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021 “Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP by Mitch Mosk