Features, Interviews, MusicJune 16, 2020<August 23, 2020 Love, Death & Dancing: An Interview with Jack Garratt by Mitch Mosk
Music, Our Take, Reviews, Track-by-TrackJune 15, 2020<June 11, 2020 Feature: UK’s Bryde Takes on the World with a Feverish Passion in ‘The Volume of Things’ by Mitch Mosk
Features, Interviews, MusicJune 4, 2020<August 23, 2020 Feature: The Timeless Beauty of Bruno Major’s Sophomore Album ‘To Let A Good Thing Die’ by Mitch Mosk
Features, Music, Reviews, RoundtableJune 1, 2020<June 29, 2024 Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’ by Atwood Magazine Staff
Debut, Interviews, MusicMay 29, 2020<March 2, 2023 Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’ by Alex Killian
Features, Interviews, MusicMay 29, 2020<May 29, 2020 ‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica by Ben Niesen
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020 Track-by-Track: The Memories’ ‘Pickles & Pies’ Is a Delicious Indulgence by Mitch Mosk
10 Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 29, 2020<May 23, 2023 Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece by Mitch Mosk
Debut, Music, ReviewsMay 29, 2020<May 29, 2020 Review: The Howl & The Hum’s ‘Human Contact’ Is a Spellbinding Debut by Bethan Harper
Music, ReviewsMay 28, 2020<May 28, 2020 Review: Watsky’s ‘Placement’ Crafts a Polarizing New Voice for Hip-Hop’s Wunderkind by Guest Writer
Columns, Music, Premieres, VariationsMay 28, 2020<May 28, 2020 Premiere: Escape into Frans Bak’s World with His Stirring Album ‘Piano’ by Coco Rich
Debut, Music, Premieres, Reviews, Track-by-TrackMay 28, 2020<May 27, 2020 Album Premiere: Inside Ghost Gnotes’ Hauntingly Intimate Self-Titled Debut by Mitch Mosk
Music, Premieres, Reviews, Track-by-TrackMay 27, 2020<May 26, 2020 Feature: The Intimate, Everyday Wonder of Skylar Gudasz’s Moving ‘Cinema’ by Mitch Mosk
8.3 Music, Our Take, ReviewsMay 22, 2020<December 15, 2020 Our Take: Victoria Reed’s Healing Light Shines on Spiritual Sophomore Album ‘Aquamadre’ by Mitch Mosk
9.7 Features, Music, Our Take, ReviewsMay 22, 2020<December 15, 2020 Our Take: The 1975’s Epic ‘Notes on a Conditional Form’ Is an Odyssey of Sound & Substance by Mitch Mosk
For the Love of Music
For the Love of Music
