Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022 Premiere: Little Fuss’ Dreamy & Energetic “20 Questions” by Kelly McCafferty Dorogy
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022 Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers” by Mitch Mosk
8 Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022 Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’ by Josh Weiner
Music, Podcast, Tunes & TumblersJuly 6, 2022<April 30, 2023 Podcast: Tunes & Tumblers’ Century Club Celebrates Stranger Things and a Vecna’s Web (ft. Ruby Sparks) by Atwood Magazine Staff
Columns, Music, Today's SongJuly 6, 2022<July 5, 2022 Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident by Sophie Severs
A Casual Ramble, Columns, Interviews, MusicJuly 5, 2022<July 5, 2022 A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’ by Ben Niesen
Columns, Editorials, Music, Pride MonthJuly 5, 2022<July 8, 2022 “Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond by Guest Writer
Columns, Music, Today's SongJuly 5, 2022<July 4, 2022 Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill” by Joe Beer
Music, ReviewsJuly 1, 2022<July 1, 2022 Carla Morrison Across Borders: A Review of ‘El Renacimiento’ by David Buyze
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022 ‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album by Mitch Mosk
Columns, Features, Music, Weekly RoundupJuly 1, 2022<July 1, 2022 Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment by Atwood Magazine Staff
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022 Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done” by Lauren Hicks
Features, Interviews, MusicJune 30, 2022<September 29, 2022 ‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album by Mitch Mosk
Debut, Music, PremieresJune 30, 2022<June 30, 2022 “Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut by Mitch Mosk
Columns, Editorials, Music, Pride MonthJune 30, 2022<June 30, 2022 “Ready to GO”: A Pride Month Essay by Jada Michael by Guest Writer