Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
Music, Premieres, ReviewsJuly 25, 2019<October 7, 2020 EP Premiere: The Honey & Salt of Terrible Sons’ ‘With Feathers’ Explores the Weight of the Soul by Oliver Crook
Features, Interviews, MusicJuly 25, 2019<July 25, 2019 Interview: Crying at the Party with Harry Strange by Luke Pettican
Music, VariationsJuly 24, 2019<July 24, 2019 Variations: Gustav Mahler’s Anguish and Ecstasy in “Adagietto” by Coco Rich
Columns, Editor's Picks, Features, MusicJuly 24, 2019<August 22, 2019 Editor’s Picks: July 22, 2019 by Mitch Mosk
Debut, Music, This Just InJuly 24, 2019<July 24, 2019 This Just In: Post Animal’s Joe Keery Releases Solo Debut as Djo with “Roddy” by Mariel Fechik
Music, ReviewsJuly 22, 2019<July 22, 2019 Review: The Portland Ambience of Rose City Band’s Self-Titled Debut by Ben Niesen
Features, Music, Premieres, ReviewsJuly 17, 2019<July 17, 2019 Album Premiere: In ‘Rarest of Birds’, Grizfolk Fight Personal Struggles with Visions of the Sun by Frankie Rose
9.1 Music, Our Take, ReviewsJuly 12, 2019<December 15, 2020 Our Take: Flying Lotus’ Sprawling ‘Flamagra’ Embodies His Prolificacy and Variety by Danny Vagnoni
Music, ReviewsJuly 11, 2019<June 19, 2024 Tyler, the Creator Aims for Disgust, Contempt, and Empathy All at Once on ‘IGOR’ by Atwood Magazine Staff
Columns, Music, Today's SongJuly 10, 2019<October 20, 2019 Fighting for Love Makes Dermot Kennedy Feel “Outnumbered” by Kelly McCafferty Dorogy
Columns, Editor's Picks, Features, MusicJuly 9, 2019<July 23, 2019 Editor’s Picks: July 8, 2019 by Mitch Mosk
8.2 Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020 Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys by Josh Weiner
Features, Music, Reviews, Track-by-TrackJuly 5, 2019<July 5, 2019 Memory, Pain, and Healing: Black Grapefruit Dive into Their Exquisite ‘Fade/Forget’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
