Artist to Watch, Music, ReviewsAugust 25, 2026<August 25, 2026 “Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph by Mitch Mosk
Essays, Festival, MusicAugust 25, 2026<August 25, 2026 A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival by Ankita Bhanot
Artist to Watch, Debut, Music, ReviewsAugust 25, 2026<August 25, 2026 “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” by Mitch Mosk
Interviews, Music, Today's SongAugust 25, 2026<August 25, 2026 “Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’ by Mitch Mosk
Interviews, MusicAugust 25, 2026<August 25, 2026 Turning the Page: Billie Marten on New Sounds, New Places, and Keeping Things Unfamiliar by Nasim Elyasi
Features, Interviews, MusicAugust 25, 2026<August 25, 2026 “Push the Envelope While Retaining the Roots”: Mayday Parade’s Brooks Betts Explores Musical Philosophies and Intentions Behind ‘Sugar’ by Isabella Le
Interviews, MusicAugust 24, 2026<August 24, 2026 “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” by Chloe Robinson
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026 “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion by Mitch Mosk
Interviews, Music, PremieresAugust 24, 2026<August 24, 2026 “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie by Mitch Mosk
Columns, Editor's Picks, Features, MusicAugust 21, 2026<August 21, 2026 Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! by Mitch Mosk
Music, ReviewsAugust 21, 2026<August 21, 2026 Sturgill Simpson: The Outlaw Who Outlawed Himself by Charlie Recksieck
Features, Interviews, MusicAugust 21, 2026<August 21, 2026 “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ by Beau Hayhoe
Columns, Features, Music, Weekly RoundupAugust 21, 2026<August 21, 2026 Atwood Magazine’s Weekly Roundup: August 21, 2026 by Atwood Magazine Staff
Debut, Features, Interviews, MusicAugust 21, 2026<August 21, 2026 “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ by Aileen Goos
Features, Interviews, MusicAugust 20, 2026<August 23, 2026 “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ by Mitch Mosk
For the Love of Music
For the Love of Music
