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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Music, PremieresMay 21, 2020<May 21, 2020

Premiere: Raw and Impassioned, Desmerelda’s “Welcome to the Establishment” Provides a Much Needed Escape

Columns, Music, Today's SongMay 15, 2020<May 15, 2020

Today’s Song: Laura Gray Provides a Soothing Rumination on Latest Single “For a While”

Music, Premieres, ReviewsApril 30, 2020<May 1, 2020

Premiere: “Devoted” Marks a Much Welcomed Return for Atta Boy

Debut, Features, Interviews, MusicApril 24, 2020<May 15, 2020

A Universe to Swim In: An Interview with Nick Leng

Music, ReviewsApril 17, 2020<April 17, 2020

EP Review: Kalbells’ Brand of Experimental Pop Astonishes on ‘Mothertime’ EP

Columns, Music, Reviews, Today's SongApril 10, 2020<April 10, 2020

Today’s Song: Camille Delean Balances Midsummer Blues & Anxiety on “Fault Line (Late July)”

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Today’s Song: The Birds Outside My Window Deliver Mind-Bending Sounds with “Chirp”

Interviews, MusicMarch 20, 2020<November 9, 2021

The Life & Times of a Quarantined Artist: A Conversation with Alexandra Stréliski

Finlay - Stranger © 2020
Music, Music Videos, PremieresMarch 18, 2020<March 18, 2020

Video Premiere: Finlay Unveils the Majesty of the World on “Strange”

Lucid State © Jona Boender
Interviews, MusicMarch 11, 2020<March 11, 2020

Charting Their Musical Voyage: A Conversation with Lucid State

Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Melbourne’s Quivers Honor the Past by Embracing the Future on “Videostores”

Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Ian William Craig Provides a Haunting Look into Hardship with “Comma”

Columns, Music, Today's SongMarch 3, 2020<March 3, 2020

Today’s Song: Favours Dazes and Delights on Latest Single “She Is Soul”

The Saxophones © Conner Sorenson
Music, Music Videos, Premieres, ReviewsFebruary 17, 2020<February 17, 2020

Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra”

Interviews, Music, ReviewsFebruary 13, 2020<February 13, 2020

The Lasting Impressions of Ephemeral Beauty: A Conversation with Rafiq Bhatia

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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