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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Music, Music Videos, Premieres, ReviewsFebruary 6, 2020<February 6, 2020

Premiere: Le Couleur Embrace Macabre Sensuality on Latest Single “Concorde”

Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Blood Cultures & DJ ST THOMAS Join Forces for Bustling Remix of “Best for You”

Columns, Music, VideoJanuary 31, 2020<January 31, 2020

The LA Archives with Pablo Dylan: Episode 1 – The Book Store

Music, Music Videos, Premieres, ReviewsJanuary 30, 2020<January 30, 2020

Video Premiere: Daggy Man Combines Distortion and Elegance on “A Reliable Figure”

Music, Music Videos, PremieresJanuary 28, 2020<January 28, 2020

Video Premiere: Draag Submerges Listeners in a Pool of Ominous Bliss on “Trauma Kit”

9
Music, Our Take, ReviewsJanuary 24, 2020<December 15, 2020

Our Take: Andy Shauf Redefines the Songwriter on ‘The Neon Skyline’

Features, Interviews, MusicJanuary 20, 2020<January 24, 2020

From the Perspective of the Wallflower: A Conversation with Andy Shauf

9
Music, Our Take, ReviewsJanuary 16, 2020<December 15, 2020

A Catharsis for the Weary Soul: A Track-by-Track Review of Keaton Henson’s ‘Six Lethargies’

Columns, Music, Today's SongJanuary 13, 2020<January 13, 2020

Today’s Song: Faye Enchants on Her Devastatingly Beautiful New Single “Heat”

Mouth Breather
Music, PremieresJanuary 8, 2020<January 8, 2020

Premiere: Mouth Breather Creates a Hazy, Swirling Anthem on True Love with “After All We’ve Been Through”

Columns, Reviews, Today's SongDecember 19, 2019<December 19, 2019

Today’s Song: Incantations of Modern Dread on Destroyer’s Newest Single “It Just Doesn’t Happen”

Columns, Music, Today's SongDecember 16, 2019<December 13, 2019

Today’s Song: A Mellifluous Telling of Growth on Jennah Barry’s “Pink Grey Blue”

Interviews, Music, ReviewsDecember 12, 2019<December 12, 2019

Interview: aVIE Provides a Unique Flair to Hip-Hop Inspired Samples with New EP ‘The Escapade’

Honey Mooncie © Louis Bryant
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Honey Mooncie Breathes Absolute Splendor on Second Single “Nice to Have a Break”

Columns, Music, Today's SongDecember 4, 2019<December 4, 2019

Today’s Song: Half Wolf Creates Swirling Beauty on Newest Single “My Stranger”

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Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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