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Alex Killian

Alex Killian

Alex is a music writer and copywriter based in Madrid. They're always on the hunt for new music, particularly cutting-edge electronic tunes or anything out of the ordinary. Alex can be found curating their weekly(ish) "fresh on friday" playlist, sipping coffee on a terraza, or reading the latest book they've picked up.

Tei Shi © Leeay
Features, Interviews, MusicJune 21, 2023<July 9, 2023

Interview: Tei Shi’s ‘BAD PREMONITION’ Sets Her Free

Shawn Wasabi © Luke Fontana
Debut, Interviews, MusicMay 29, 2020<March 2, 2023

Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’

Shawn Wasabi
Columns, Music, Today's SongNovember 28, 2019<November 22, 2019

Today’s Song: Shawn Wasabi’s Latest Single Is Soundin’ Like a “SNACK”

MUNA © Isaac Schneider
Columns, Music, Today's SongOctober 17, 2019<October 16, 2019

Today’s Song: MUNA Captures Beauty in Loss on “Pink Light”

Kid Froopy © 2017
Columns, Music, Today's SongJuly 26, 2019<July 26, 2019

Kid Froopy Puts His Spin on Lostboycrow’s “Orange Juice (Summer Squeeze Mix)”

Music, This Just InJuly 22, 2019<July 22, 2019

This Just In: Finding Out “Where We’re Going” with Gregory Dillon

Columns, Music, Today's SongJuly 2, 2019<July 2, 2019

Today’s Song: MUNA Talks Self-Love With “Number One Fan”

Manatee Commune © Allen Daniel
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune

Gregory Dillon © Curtis S. Brown
Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Queer Connection in a Digital World with Gregory Dillon’s “Alien Boyfriend”

Music, Previews, ReviewsSeptember 28, 2018<September 28, 2018

Preview: Half the Animal Plan to Make “Magic” on Tour

Atwood Magazine Pride Playlist 2018
Music, PlaylistsJune 15, 2018<June 15, 2018

Pride Playlist 2018!

Howlin' - Naomi Wild © 2018
Features, Interviews, MusicJune 5, 2018<June 5, 2018

Howlin’ for Higher Ground: A Conversation with Naomi Wild

Columns, Interviews, MusicMay 21, 2018<May 20, 2018

Hometown Guides: SYDE on Melbourne, Australia

Running Touch © 2018
Features, Interviews, MusicApril 9, 2018<April 10, 2018

Past Projects & Future Dreams: A Conversation with Running Touch

The Co Founder © 2018
Columns, Music, Today's SongFebruary 1, 2018<February 1, 2018

Today’s Song: The Co Founder Captivates on “Full Stop”

Posts pagination
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Recent Posts

  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
  • “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie September 28, 2026
  • Atwood Magazine’s Weekly Roundup: September 25, 2026 September 25, 2026
  • “You Can’t Scrub Women From History”: Lindsay Lou Puts Women Back in the Bluegrass Circle with ‘Bluegrass Women’ September 25, 2026
  • “Showing Up Doesn’t Always Look Heroic”: Clever Hopes Makes Space for Grief & Love on the Tenderly Radiant “Fumbled Dreams” ft. Jenn Grant September 25, 2026
  • “The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist September 25, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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