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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

Curtis Waters © Callum Walker Hutchinson
Features, Interviews, MusicMay 23, 2023<May 24, 2023

Interview: Curtis Waters, a Nepali Native Escalating the American Alternative Scene

Metallica © Tim Saccenti 8.5
Music, Our Take, ReviewsMay 15, 2023<May 15, 2023

Our Take: Metallica Return From Hiatus in Dark & Energetic Fashion on ’72 Seasons’

Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

Ayleen Valentine © Caity Krone
Columns, Interviews, Music, Today's SongApril 12, 2023<April 30, 2023

Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you”

Cracker Island - Gorillaz 8.6
Music, Our Take, ReviewsMarch 17, 2023<April 30, 2023

Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves 

Dr. Ushūu © 2023
Interviews, MusicMarch 6, 2023<April 30, 2023

Interview: Dr. Ushūu’s EDM Universe Knows No Bounds

Oddisee © Jasmine Van Buytene 8.3
Music, Our Take, ReviewsFebruary 20, 2023<February 20, 2023

Our Take: Oddisee Does the DC Rap Scene Proud on ‘To What End’

JETPACK - Barny Fletcher
Interviews, MusicJanuary 23, 2023<January 23, 2023

Interview: British Rapper Barny Fletcher Wraps Up Inaugural Mixtape Trilogy with ‘JETPACK’

Callie Reiff © Bellamy Brewster
Interviews, MusicJanuary 13, 2023<January 13, 2023

“Watch Out, It’s a Chain Reaction”: A Conversation with Soaring EDM Talent Callie Reiff

SOS - SZA 8.6
Music, Our Take, ReviewsJanuary 4, 2023<September 20, 2023

Our Take: SZA Shines on Outstanding Sophomore Album ‘SOS’

Boogie Belgique © Monday Jr
Features, Interviews, MusicDecember 13, 2022<December 14, 2022

Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In

Kimbra © Spencer Ostrander
Features, Interviews, MusicOctober 28, 2022<March 11, 2023

Playing with Fire: Interview with Kimbra, a Creative Force Worthy of “A Reckoning”

BRUX © Dylan Reyes
Interviews, MusicOctober 3, 2022<October 3, 2022

Interview: BRUX Unleashes Her Inner ‘BADBOI’ on “Clubby, Heavy, & Urgent” New EP

Ayla D'lyla © Malina Weissman
Columns, Music, Today's SongSeptember 19, 2022<September 19, 2022

Today’s Song: Ayla D’Lyla Pens a Love Letter to the Catskills on “Anywhere But Here”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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