• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

I’m Going To Break Your Heart - Moon Vs Sun
Features, Interviews, Music, Reviews, Track-by-TrackApril 23, 2021<April 23, 2021

“Love, Honor, Protect”: Moon Vs Sun Shine on Timeless Debut ‘I’m Going to Break Your Heart’

Alice Merton © Sarah Storch (Paper Planes Records International)
Interviews, MusicApril 22, 2021<October 5, 2021

Interview: Alice Merton Returns, Channeling Panic into Passion on “Vertigo”

Final Act - Aquagie 10
Debut, Features, Interviews, Music, Our TakeApril 22, 2021<October 5, 2021

Interview: Boston’s Aquagie Soars on His Stunning, Stadium-Sized Apocalyptic Debut ‘Final Act’

Almost Sex © Trevor Brenden
Music, PremieresApril 22, 2021<April 22, 2021

Premiere: Almost Sex Reckon with Connection & Distance in “Eye to Eye”

No Hard Feelings EP - Pure Intruders
Debut, Features, Music, Reviews, Track-by-TrackApril 21, 2021<April 21, 2021

“Inviting, Confronting, & Rewarding”: Pure Intruders Weave a Warm & Tender Tapestry in Debut EP ‘No Hard Feelings’

Coma Culture © Kelly Victoria
Music, PremieresApril 21, 2021<April 21, 2021

Premiere: Coma Culture Soar with Buoyant Bliss on Sophomore Single “In Love”

Charm of Finches © Laura May Grogan
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: Charm of Finches’ Wistful & Wondrous “Treading Water” Captures the Haunting Weight of Goodbye

lowloh © 2021
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: lewloh Shines on His Heart-on-Sleeve Confessional “summer boy”

CANNXN © Julie Lopez-Acosta
Debut, Music, PremieresApril 20, 2021<April 20, 2021

Premiere: CANNXN Lights a Burning Fire in Debut EP ‘Will I Always Feel This Way?’

Slow Down - Gilligan Moss
Music, ReviewsApril 20, 2021<April 20, 2021

Brooklyn’s Gilligan Moss Shine with Feel-Good Grooves on Summery “Slow Down” & Self-Titled Debut

Cheer Captain - Charli Adams
Features, Interviews, MusicApril 19, 2021<October 5, 2021

“I’m a people pleaser, but I don’t want to be her”: Charli Adams Dives into Her Liberating Anthem “Cheer Captain”

SYML
Features, Music, Reviews, Track-by-TrackApril 16, 2021<April 26, 2021

Loss Sparks Life: SYML Channels Grief & Trauma on His Stirring ‘DIM’ EP

Something Better - Emily Wolfe
Music, PremieresApril 15, 2021<April 19, 2021

Premiere: Emily Wolfe Shines Bright in Buoyant, Spirited Anthem “Something Better”

Atwood Editor's Picks 50
Columns, Editor's Picks, Features, MusicApril 14, 2021<October 5, 2021

Editor’s Picks 50: DE’WAYNE, Saint Sister, Aquagie, Years & Years, Matt Muse, & Sour Widows

Kuinka © Rachel Bennett
Music, PremieresApril 14, 2021<April 14, 2021

Premiere: Kuinka Glimmer N’ Glow with Euphoric Dance Anthem “All Mine”

Posts pagination
1 … 135 136 137 138 139 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services