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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Colton Dixon © Jimmy Fontaine
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: Colton Dixon’s Intimate “Can’t Quit You” Proves a Sweetly Seductive Love Song

Bjorn Rydhog © Fredrik Salomonsson
Music, Reviews, Track-by-TrackMay 14, 2020<May 14, 2020

Track-by-Track: Bjorn Rydhog’s ‘Give Me Sunshine’ EP Is a Dazzling Folk-Pop Oasis

The National Parks © McKenna Chatterley
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: The National Parks Come Alive with Heartland Hope in “Waiting for Lightning”

Henry Jamison © Tourism
Features, Interviews, MusicMay 13, 2020<August 23, 2020

Feature: The Isolation & Collaboration of Henry Jamison’s Breathtakingly Beautiful ‘Tourism’ EP

Me & The Monster
Music, Music Videos, PremieresMay 13, 2020<May 13, 2020

Premiere: Me & The Monster’s Haunting “The Shadow” Arrests Us Inside & Out

Onsen © Chris Coats
Music, ReviewsMay 13, 2020<May 13, 2020

Review: Onsen’s Aching “Be There” Is a Song of Isolation & Longing

WILSN © Jack Stafford
Music, PremieresMay 12, 2020<May 12, 2020

Premiere: WILSN Soars with Hope in Anthemic & Aching Single “Deep in It”

Overindulgence - Oddnesse
Debut, Music, Reviews, Track-by-TrackMay 7, 2020<May 12, 2020

Feature: Oddnesse’s Unapologetic & Uncompromising Debut EP ‘Overindulgence’

Let It Leave - Deau Eyes
Features, Music, Reviews, Track-by-TrackMay 7, 2020<May 7, 2020

Feature: Deau Eyes’ Dazzling Debut ‘Let It Leave’ Is Honest & Raw Indie Rock Passion

1 x 1 - Cold War Kids 1
Music, Reviews, This Just InMay 6, 2020<May 6, 2020

This Just In: Cold War Kids and The Lumineers Join Forces to Inspire & Empower on “1 x 1”

Annie DiRusso © Jacqueline Justice
Music, Music Videos, PremieresMay 6, 2020<May 6, 2020

Premiere: Annie DiRusso Languishes in Teenage Suburbia on “Don’t Swerve”

Eliza Edens © Elizabeth Ibarra
Music, Reviews, Track-by-TrackMay 5, 2020<May 5, 2020

Feature: Eliza Edens’ Debut ‘Time Away From Time’ Is an Intimate Alt-Folk Oasis

Distant Cousins © Jon Danovic
Music, PremieresMay 5, 2020<February 21, 2024

Premiere: Distant Cousins’ Breathtaking “Here & Now” Is an Ode to Living in the Present

Neev © 2020
Music, Music Videos, PremieresMay 5, 2020<May 5, 2020

Premiere: “This Dream” Is Neev’s Breathtaking, Purpose-Driven Showstopper

Riley Pearce © Tashi Hall
Music, PremieresMay 5, 2020<May 5, 2020

Premiere: Live & Let Go with Riley Pearce’s New Single “Ceramic Real Estate”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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