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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ok Moon
Debut, Features, Interviews, MusicApril 27, 2020<April 27, 2020

Musical Chairs & Organic Indie Folk Magic: An Interview with Australian Supergroup Ok Moon

Only Human Natural - Human Natural
Debut, Music, Reviews, Track-by-TrackApril 24, 2020<March 2, 2025

Feature: Human Natural Debut with Sweet Jamz & Groovy Vibes in ‘Only Human Natural’

still from The 1975's "If You're Too Shy (Let Me Know)" live video
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now

Stables © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Stables’ Buoyant Return “Marathon” Is a Sweet Breath of Fresh Air

Caroline Lazar © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Singer/Songwriter Caroline Lazar’s “Take It” Is a Gorgeous Surrender

Nathan Vincent
Music, PremieresApril 23, 2020<April 22, 2020

EP Premiere: Indie Folk Singer/Songwriter Nathan Vincent Captures the Journey Between ‘Cedar & Pine’

lotusbliss
Music, Music Videos, PremieresApril 23, 2020<April 23, 2020

Premiere: Kent’s lotusbliss Delve into Visceral Dark Depths in “Carpet” Video

Richard String
Music, PremieresApril 22, 2020<April 22, 2020

Premiere: Richard String’s Soaring, Feelgood Psych-Pop Single “In My Garden (Sad Boy Beck)”

Incubus © 2020
Features, Interviews, MusicApril 22, 2020<May 15, 2020

Flying by the Seat of Their Pants: An Interview with Incubus

RORRE
Music, Premieres, Track-by-TrackApril 21, 2020<April 21, 2020

EP Premiere: Fallbrook’s RORRE Are Stripped & Raw on ‘Songs in Transit (Midnight Sessions)’ EP

Atwood Magazine Editor's Picks 33
Columns, Editor's Picks, Features, MusicApril 21, 2020<May 15, 2020

Editor’s Picks: April 21, 2020

Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

Great News © Jonathan Vivaas Kise
Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020

Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’

Shade is on the other side - GIRL SKIN
Debut, Music, Reviews, Track-by-TrackApril 17, 2020<April 17, 2020

Track-by-Track: Inside GIRL SKIN’s Timeless & Beautiful Debut Album ‘Shade is on the other side’

Ellis © Ebru Yildiz
Debut, Features, Reviews, Track-by-TrackApril 16, 2020<May 15, 2020

Feature: Intimacy & Emotion Drive Ellis’ Visceral Debut Album ‘Born Again’

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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