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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Covey © Matt Marino
Music, PremieresApril 9, 2019<April 9, 2019

Premiere: Covey’s Poignant Acoustic Lullabye “Stable Now”

Paper Beat Scissors © Alex Pearson - Kyle Cunjak
Music, PremieresApril 9, 2019<April 9, 2019

Premiere: Paper Beat Scissors Charms with Radiant & Sly “Don’t Mind”

Cicada Songs - Trevor Sloan
Music, PremieresApril 8, 2019<April 8, 2019

Premiere: Trevor Sloan’s Psych-Folk Dream “Faces I Love”

Atwood Editor's Picks 2019-04-08
Columns, Editor's Picks, Features, Music, PlaylistsApril 8, 2019<April 30, 2019

Editor’s Picks: April 8, 2019

Hollywood Gold - The Prescriptions
Debut, Music, ReviewsApril 5, 2019<April 8, 2019

Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff

"Deer Head" by Megan Nash
Music, Music Videos, PremieresApril 5, 2019<April 5, 2019

Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted

No Saviors EP - CLAVVS
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP

The Away Days © 2019
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed”

Anima & Ennui © Jay Messenger
Debut, Music, PremieresApril 3, 2019<April 3, 2019

Premiere: Anima & Ennui Embrace Life in Haunting Debut “Nothing Better”

Promise to Send
Music, Music Videos, PremieresApril 2, 2019<April 2, 2019

Premiere: Tanbark’s “Promise to Send” Video Immerses Us in Dreamy Nostalgia

Surprises © Taylor Thomas Paschal
Debut, Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Letting Loose with Surprises’ Raw, Catchy & Volatile “Natural Disaster”

Tara Terra © Morgan Ciesielski
Music, PremieresApril 1, 2019<April 2, 2019

Premiere: Tara Terra Return with Irresistibly Raw “Ithaca”

The Weird Years © Shervin Lainez
Features, Interviews, Music, ReviewsMarch 29, 2019<March 29, 2019

Feature: The Weird Years Dive into Their Self-Titled Masterpiece

Kuri © Rachel Pick
Music, PremieresMarch 29, 2019<March 29, 2019

Premiere: The Breathtaking Genius of Kuri’s Avant-Folk Masterpiece “Sort Sol”

Simon XO © Sarah Lane
Music, PremieresMarch 28, 2019<March 28, 2019

Premiere: Simon XO Turns Anxiety into Alt-Rock Gold in “Over and Out”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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