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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Kesley Bulkin © Canh Nguyen
Interviews, Music, This Just InFebruary 12, 2019<February 12, 2019

Interview: Kelsey Bulkin Makes the First Move with “Kareem”

Oh Dead On Oh Love - Lisa Papineau
Features, Music, Premieres, ReviewsFebruary 12, 2019<February 12, 2019

Album Premiere: The Enchanting Depth of Lisa Papineau’s ‘Oh Dead On Oh Love’

Bohannons © William Joseph Johnson
Music, PremieresFebruary 12, 2019<March 2, 2025

Premiere: Bohannons’ Raw “Refills” Sheds Light on the Opioid Crisis

Kaitie Forbes © Rachel Domonique
Debut, Music, PremieresFebruary 12, 2019<February 12, 2019

Premiere: Kaitie Forbes Soars on Intimate Alt-Pop Outpouring “At the Same Time”

Henry Jamison © Shervin Lainez
Features, Interviews, MusicFebruary 11, 2019<March 1, 2019

Interview with Henry Jamison: ‘Gloria Duplex’, Transcending Prejudice & Seeing Both Sides

Kisos - Happily Ever After Art
Music, PremieresFebruary 11, 2019<February 13, 2019

Premiere: Accepting Denial with Kisos’ Lovelorn “Happily Ever After”

The Dip © Coco Foto
Music, Our Take, ReviewsFebruary 8, 2019<February 8, 2019

Review: ‘The Dip Delivers’ Breaths Fresh Life into a Classic Soul Sound

Army - Otis Simpson
Debut, Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Otis Simpson’s Mighty Debut Single “Army” Channels Tension into a Confident Cry

Post Script © 2019
Music, PremieresFebruary 7, 2019<February 7, 2019

EP Premiere: Hardship & Healing in Post Script’s ‘The Light I Can’t Block Out’

VHS Collection © Shervin Lainez
Music, PremieresFebruary 7, 2019<February 7, 2019

VHS Collection’s Euphoric Anthem “Dreaming” Inspires Self-Confidence

Editor's Picks 02-04-2019
Columns, Editor's Picks, Features, MusicFebruary 6, 2019<February 19, 2019

Editor’s Picks: February 4, 2019

Clara Baker © Amanda Long
Music, PremieresFebruary 6, 2019<February 6, 2019

Premiere: The Haunting Warmth of Clara Baker’s “Middle of the Night”

Variety Hour - Deidre & The Dark art
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019

Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic

Earthquake Lights © Shervin Lainez
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day”

Loose Wing © Doug Arney
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Loose Wing’s “Beverly” Captures Emotional Distress with Poignant Grace

Posts pagination
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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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