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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Emily Hackett © Lindsey Grace Whiddon
Music, Music Videos, PremieresJuly 8, 2019<July 8, 2019

Premiere: Heartache Reigns in Emily Hackett’s True Detective-Style “Easy” Music Video

Blithe © 2019
Features, Interviews, Music, This Just InJuly 5, 2019<January 10, 2020

Get “Masochistic” with Blithe’s Fun, Romantically Entangled Summer Jam

Ok Moon © 2019
Music, PremieresJuly 5, 2019<July 5, 2019

Premiere: Ok Moon Breathe Life & Raw Depth into Third Single “Hollow Tree”

Fade/Forget - Black Grapefruit
Features, Music, Reviews, Track-by-TrackJuly 5, 2019<July 5, 2019

Memory, Pain, and Healing: Black Grapefruit Dive into Their Exquisite ‘Fade/Forget’ EP

Hedara
Music, PremieresJuly 3, 2019<July 3, 2019

Premiere: Hedara’s Shiver-Inducing New Song “Frozen”

Andi Fins © Katja Aujesky
Music, Music Videos, PremieresJuly 2, 2019<July 2, 2019

Video Premiere: Andi Fins Balances Elation & Melancholy in “Stan’s Copycat”

Dead Yet - Gabriel Black Phem
Features, Music, Reviews, This Just InJune 28, 2019<August 20, 2019

The Restless Allure of Gabriel Black & phem’s Beautiful “dead yet”

Hayden Everett © Brandon Peterson
Debut, Music, PremieresJune 26, 2019<March 26, 2024

Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color”

Atwood Magazine Editor's Picks 16
Columns, Editor's Picks, Features, MusicJune 25, 2019<July 23, 2019

Editor’s Picks: June 24, 2019

The Local Strangers © Kendall Rock
Music, Premieres, ReviewsJune 24, 2019<June 24, 2019

Album Premiere: The Local Strangers Dive into Their Arresting ‘When We Were Honest’

Victoria Victoria © Beth Fletcher
Music, Music Videos, PremieresJune 24, 2019<June 24, 2019

Premiere: Reclaim Yourself with Victoria Victoria’s “Sanctuary”

Charlotte OC © Sam Pyatt
Features, Interviews, MusicJune 21, 2019<June 21, 2019

Interview: Charlotte OC Dives into Her Honest Outpouring “Better Off on My Own”

Gizmo Varillas © Sequoia Ziff
Music, PremieresJune 21, 2019<June 21, 2019

Premiere: Gizmo Varillas Rises Up “Out of the Darkness” with Inspiring Light

Fell Runner © Ellyn Jameson
Music, Premieres, ReviewsJune 20, 2019<June 20, 2019

Album Premiere: On ‘Talking,’ Fell Runner Weave a Kaleidoscopic Rock Tapestry

Hayden Calnin © Emma McEvoy
Music, PremieresJune 19, 2019<May 12, 2021

Premiere: Hayden Calnin Finds Closure & a Fresh Start in “Fuck Collingwood”

Posts pagination
1 … 213 214 215 216 217 … 313

Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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