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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

John Dennis © 2017
Music, PremieresJuly 28, 2017<July 28, 2017

Premiere: John Dennis Makes Peace with Life on “Second Wind”

Quinn Lewis © Sara Kiesling
Columns, Music, Reviews, Today's SongJuly 28, 2017<May 3, 2019

Today’s Song: Quinn Lewis Bares his Soul on Lovelorn “Slipping”

The Killers © Anton Corbijn
Features, Music, Reviews, This Just InJuly 28, 2017<July 28, 2017

This Just In: The Killers “Run for Cover” with a Restless Urgency

lets not talk about you - King Neptune
Music, PremieresJuly 27, 2017<July 27, 2017

Premiere: King Neptune’s “Let’s Not Talk About You,” a Cheeky Ode to Bad Dates

Losing My Mind - Lo Lytes
Debut, Music, Music Videos, PremieresJuly 26, 2017<July 26, 2017

Premiere: Lo Lytes Indulge in the Night on Trippy Debut “Losing My Mind”

I'm Not Weak - Highland Kites
Features, Music, Premieres, ReviewsJuly 26, 2017<July 26, 2017

EP Premiere: Highland Kites’ ‘I’m Not Weak’ Is a Dream-Folk Tale of Strength & Spirit

ELEANOR © 2017
Music, PremieresJuly 26, 2017<July 26, 2017

Premiere: ELEANOR Debuts with Girl Power Pop Anthem “All I Want”

What Will Be Will Be - Brother Oliver
Music, PremieresJuly 26, 2017<July 26, 2017

Premiere: “What Will Be Will Be,” Brother Oliver’s Fiery Search for Purpose

Elephant - In The Valley Below
Features, Interviews, Music, ReviewsJuly 25, 2017<July 25, 2017

Elephant in the Room: A Conversation with In The Valley Below

Boon © 2017
Music, PremieresJuly 25, 2017<July 25, 2017

Premiere: Boon’s “Click Beach” Channels Urgent, Colorful Reflection

Tie​-​Dye Shadows - Demure for Sure
Debut, Features, Music, PremieresJuly 25, 2017<July 25, 2017

Album Premiere: Chaos & Drama on Demure for Sure’s ‘Tie Dye Shadows’

Tremors - Joseph & the Beasts
Music, Music Videos, PremieresJuly 25, 2017<July 25, 2017

Video Premiere: Joseph & the Beasts’ “Tremors,” the Mortal’s Swan Song

Upright Man © Sloane Morrison
Music, Music Videos, PremieresJuly 25, 2017<July 25, 2017

Video Premiere: The Somber Warmth of Upright Man’s “Three Easy Pieces”

Catch - TJ Stafford
Music, Music Videos, PremieresJuly 24, 2017<July 24, 2017

Video Premiere: Heartbreak & Love Haunt TJ Stafford’s “Catch”

Flamingo Paradiso Pt. 1 - Vox Eagle
Debut, Features, Music, Premieres, ReviewsJuly 21, 2017<July 21, 2017

EP Premiere: Vox Eagle Have Landed with Catchy ‘Flamingo Paradiso Pt. 1’

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
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  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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