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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

CIVIC © 2017
Music, PremieresOctober 18, 2017<October 18, 2017

Premiere: CIVIC’s “Not for Me” Is a Song for Everyone

Cruel Games - vverevvolf © Marshall Rogalski
Debut, Music, Music Videos, PremieresOctober 18, 2017<October 18, 2017

Premiere: Fantasy Becomes Reality on vverevvolf’s Alluring Debut “Cruel Games”

Jared Saltiel © Shervin Lainez
Music, PremieresOctober 17, 2017<October 17, 2017

Premiere: The Majesty of Jared Saltiel’s Epic Ballad “Wayward Queen”

Megan Henwood - Seventh still
Music, Music Videos, PremieresOctober 17, 2017<October 17, 2017

Video Premiere: The Bittersweet Repetition of Megan Henwood’s “Seventh”

Sedgewick © 2017
Music, PremieresOctober 17, 2017<October 17, 2017

Premiere: The Beautiful Darkness of Sedgewick’s “Red Moon”

Jo Marches © 2017
Music, PremieresOctober 16, 2017<October 16, 2017

Premiere: The Ominous Darkness of Jo Marches’ “Breaks My Heart”

Sam Vicari © Jim Vondruska
Music, PremieresOctober 16, 2017<October 16, 2017

Premiere: Transience & Insecurity on Sam Vicari’s “I’m Nervous”

Whispertown © Jake Bellows
Music, Music Videos, PremieresOctober 13, 2017<October 16, 2017

Video Premiere: Whispertown’s “Can’t Stop Cryin’,” a Bittersweet Farewell

Forced Random © Amelia Grace Eve
Music, PremieresOctober 13, 2017<October 13, 2017

Premiere: The Cathartic Weight of Forced Random’s “Discipline (When You Collapse)”

Museyroom © Carly Hoskins
Music, PremieresOctober 13, 2017<October 13, 2017

Premiere: Museyroom’s Dynamic Daydream “Day In/Day Out”

Alex Riddle © 2017
Music, PremieresOctober 13, 2017<October 13, 2017

Premiere: “Snow White” Holds Alex Riddle’s Restless Heart

Another Land - OxenFree
Features, Music, Premieres, ReviewsOctober 12, 2017<October 13, 2017

EP Premiere: A Roaring Journey Through OxenFree’s ‘Another Land’

Klez © 2017
Music, PremieresOctober 11, 2017<October 11, 2017

Premiere: The Inclusive Light of Klez’s “Sons & Daughters”

Delano - Area Resident
Music, PremieresOctober 11, 2017<October 11, 2017

Premiere: The Refreshing Spark of Area Resident’s “Riverside”

Blind Pilot © Ben Moon
Features, Interviews, MusicOctober 11, 2017<March 27, 2018

The Warmth of Connection: An Interview with Blind Pilot

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Recent Posts

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  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
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  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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