• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Tableaux - Light Entertainment
Debut, Music, PremieresApril 25, 2017<April 28, 2017

Premiere: The Intoxicating Allure of Light Entertainment’s Debut “Tableaux”

Fallow Land © Heather Nash
Debut, Music, PremieresApril 25, 2017<April 25, 2017

Premiere: The Authentic Struggle of Fallow Land’s “Faux”

Novo Amor © Rhodri Brooks
Columns, Features, Music, Music Videos, Reviews, Today's SongApril 25, 2017<April 27, 2017

Review: The Heartache & Beauty of Novo Amor’s Intimate “Carry You”

Hoyle © Herb Gonzalez
Music, Music Videos, PremieresApril 21, 2017<April 21, 2017

Video Premiere: The Pain & Passionate Plea of Hoyle’s Anthemic “Revival”

Everything Turned to Color © Taylor Ballantyne
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: Everything Turned to Color’s Heartfelt “Once Upon a Lifetime”

Vylet © 2017
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: The Dreamy Intimacy of Vylet’s Lovestruck “Lightning”

broken - lovely.the.band single art
Columns, Debut, Music, Today's SongApril 20, 2017<August 12, 2019

True Connection & Perfect Imperfection in lovely.the.band’s Debut “broken”

Stay Inside © 2017
Debut, Music, PremieresApril 19, 2017<April 19, 2017

Premiere: Stay Inside’s “Blockbussa” Evokes the Isolation of Culture Clash

MAZES - bookstore
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Mazes Set Off on Adventure in “West Coast Revolution”

Dabble © 2017
Debut, Music, PremieresApril 17, 2017<April 17, 2017

Album Premiere: The Colorful Dreaminess of Dabble’s Debut ‘Touch’

Skye Steele - "Back in the Valley"
Music, Music Videos, PremieresApril 17, 2017<April 17, 2017

Video Premiere: Skye Steele’s Hometown Homage “Back in the Valley”

Father John Misty © Guy Lowndes
Features, Music, ReviewsApril 17, 2017<January 25, 2018

Understanding the Importance of Father John Misty’s ‘Pure Comedy’

Tree Machines (L-R): Douglas Wooldridge, Patrick Aubry © Kasia Nawrocka
Features, Music, PremieresApril 14, 2017<April 14, 2017

Premiere: Tree Machines’ Heavy “Weights and Stones” Captures Raw Pain of Perseverance

Los in Los Angeles © 2017
Music, PremieresApril 14, 2017<April 14, 2017

Premiere: Hope & Wanderlust on Lost in Los Angeles’ New Single “Follow Me Home”

True Cinnamon - Bod
Features, Music, PremieresApril 13, 2017<April 20, 2017

EP Premiere: Exploring the Playful & Powerful Energies of Bod’s ‘True Cinnamon’

Posts pagination
1 … 263 264 265 266 267 … 290

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services