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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Caitlin Eadie © 2017
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: The Intimate Howl of Caitlin Eadie’s Anthemic “Wolf Cry”

Do You Ever - Cardboard Foxes artwork
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: Cardboard Foxes Capture Summer’s Kiss on “Do You Ever?” (feat. Kenyo)

Dakota Blue - "Aw Man" still
Music, Music Videos, PremieresJune 26, 2017<June 26, 2017

Premiere: Escape into Another World with Dakota Blue’s “Aw Man”

Time, Color - The Big Drops
Debut, Music, PremieresJune 23, 2017<June 23, 2017

Album Premiere: The Big Drops’ Debut ‘Time, Color’ Offers Adventure & Respite

S.T.T. - Beta Days album art
Debut, Features, Music, Premieres, ReviewsJune 23, 2017<June 29, 2017

Album Premiere: Beta Days Capture Real Life on Debut ‘S.T.T.’

FIJI "Boy Oh Boy" still
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: “Boy Oh Boy,” FIJI’s Dark Modern Fairytale

Promise - One Hundred Paces still
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Video Premiere: One Hundred Paces’ “Promise” Is a Snapshot of Love

Benediction - Paula Boggs Band
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: Paula Boggs Band’s “Benediction” Inspires Hope & Positive Action

Antony Payne © 2017
Music, PremieresJune 16, 2017<June 16, 2017

Premiere: The Catchy Pain of Antony Payne’s “Horns”

Volcano - Emma Charleston
Music, PremieresJune 15, 2017<June 15, 2017

Premiere: Emma Charleston’s Airy, Hypnotic & Delicate “Volcano”

Nora Rothman © 2017
Music, Music Videos, PremieresJune 15, 2017<June 15, 2017

Premiere: The Youthful Glaze of Nora Rothman’s “Truth or Dare”

Ruby Force © Casey Curry
Debut, Music, PremieresJune 15, 2017<June 15, 2017

Premiere: Love and Faith in Ruby Force’s Impassioned “Diamonds”

Gordi © Cameron Wittig
Features, Music, Music Videos, Reviews, This Just InJune 14, 2017<November 4, 2019

This Just In: The Heavy Heart of Gordi’s “Heaven I Know”

The Rescue - Mørk
Music, Music Videos, PremieresJune 13, 2017<June 13, 2017

Premiere: Mørk’s Dark “The Rescue” Blurs Reality & Technology

Part 1 - Ekurtis
Debut, Music, PremieresJune 12, 2017<June 12, 2017

EP Premiere: Tragedy Strikes Ekurtis on Synthy Debut ‘Part I’

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Recent Posts

  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
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  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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