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Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

Chris Mardini © Royce Gorsuch
Music, PremieresJanuary 22, 2020<January 21, 2020

Premiere: 17-Year-Old Chris Mardini’s Intoxicating 3rd Single, “Sleepless”

Leddra Chapman
Music, PremieresDecember 5, 2019<December 11, 2019

Premiere: Leddra Chapman Explores a Heartbreaking Loss with “Ghosts”

Maggie Rogers © Olivia Bee
Music, Reviews, This Just InNovember 21, 2019<December 5, 2019

This Just In: Maggie Rogers’ Poetically Tangible “Love You for a Long Time”

Loote © 2019
Music, Music Videos, PremieresNovember 18, 2019<November 16, 2019

Video Premiere: Nostalgia & Rocking Out Make Loote’s “All The F*cking Time”

The Ballroom Thieves © Shervin Lainez
Music, PremieresNovember 18, 2019<November 18, 2019

Premiere: The Ballroom Thieves Liberate Us with “Unlovely” (ft. Darlingside)

Will Killen © 2019
Columns, Music, Today's SongNovember 18, 2019<November 16, 2019

Today’s Song: Leeds Singer/Songwriter Will Killen Simplifies with New Single “Overthinking”

Lhasa © Kate Oatway
Columns, Music, Today's SongNovember 11, 2019<November 11, 2019

Today’s Song: Lhasa’s “Birdsong” Is a Folksy Dream

MisterWives 2019 © Shervin Lainez
Music, ReviewsNovember 8, 2019<April 21, 2020

Review: MisterWives’ ‘Mini Bloom’ EP Is Soul-Filled & Poetically Perfect

Christopher Paul Stelling © Chris Phelps
Columns, Music, Today's SongNovember 6, 2019<November 6, 2019

Today’s Song: Christopher Paul Stelling Negates Doubt with “Trouble Don’t Follow Me”

MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

Dermot Kennedy
Debut, Features, Interviews, MusicOctober 18, 2019<October 18, 2019

To Make Us Feel: An Interview with Dermot Kennedy

It's Your Bed Babe, It's Your Funeral - Maisie Peters
Features, Interviews, MusicOctober 16, 2019<October 16, 2019

Songs, Stories and Middle Eights: An Interview with Maisie Peters

Luckie © William Henry Thompson
Music, PremieresOctober 9, 2019<October 8, 2019

Premiere: UK’s Luckie Debuts Bluesy Anthem “Sad People, Bad People”

KTG
Music, ReviewsOctober 3, 2019<October 3, 2019

Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’

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Recent Posts

  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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