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Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

Chris Mardini © Royce Gorsuch
Music, PremieresJanuary 22, 2020<January 21, 2020

Premiere: 17-Year-Old Chris Mardini’s Intoxicating 3rd Single, “Sleepless”

Leddra Chapman
Music, PremieresDecember 5, 2019<December 11, 2019

Premiere: Leddra Chapman Explores a Heartbreaking Loss with “Ghosts”

Maggie Rogers © Olivia Bee
Music, Reviews, This Just InNovember 21, 2019<December 5, 2019

This Just In: Maggie Rogers’ Poetically Tangible “Love You for a Long Time”

Loote © 2019
Music, Music Videos, PremieresNovember 18, 2019<November 16, 2019

Video Premiere: Nostalgia & Rocking Out Make Loote’s “All The F*cking Time”

The Ballroom Thieves © Shervin Lainez
Music, PremieresNovember 18, 2019<November 18, 2019

Premiere: The Ballroom Thieves Liberate Us with “Unlovely” (ft. Darlingside)

Will Killen © 2019
Columns, Music, Today's SongNovember 18, 2019<November 16, 2019

Today’s Song: Leeds Singer/Songwriter Will Killen Simplifies with New Single “Overthinking”

Lhasa © Kate Oatway
Columns, Music, Today's SongNovember 11, 2019<November 11, 2019

Today’s Song: Lhasa’s “Birdsong” Is a Folksy Dream

MisterWives 2019 © Shervin Lainez
Music, ReviewsNovember 8, 2019<April 21, 2020

Review: MisterWives’ ‘Mini Bloom’ EP Is Soul-Filled & Poetically Perfect

Christopher Paul Stelling © Chris Phelps
Columns, Music, Today's SongNovember 6, 2019<November 6, 2019

Today’s Song: Christopher Paul Stelling Negates Doubt with “Trouble Don’t Follow Me”

MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

Dermot Kennedy
Debut, Features, Interviews, MusicOctober 18, 2019<October 18, 2019

To Make Us Feel: An Interview with Dermot Kennedy

It's Your Bed Babe, It's Your Funeral - Maisie Peters
Features, Interviews, MusicOctober 16, 2019<October 16, 2019

Songs, Stories and Middle Eights: An Interview with Maisie Peters

Luckie © William Henry Thompson
Music, PremieresOctober 9, 2019<October 8, 2019

Premiere: UK’s Luckie Debuts Bluesy Anthem “Sad People, Bad People”

KTG
Music, ReviewsOctober 3, 2019<October 3, 2019

Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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