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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

SPINN © Barnaby Fairley
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album

treesreach © 2022
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022

Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation

Sooner © Jacquelyne Pierson
Music, PremieresFebruary 7, 2022<February 7, 2022

Premiere: Brooklyn Band Sooner Channel a Whisper & a Shout in Stirring New Single “Thursday”

Hembree © Jonny Marlow
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“It’s a Dream!”: Inside Hembree’s Refreshingly Vibrant, Layered, & Ambitious Sophomore Album

The Slow Show © 2022
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“STILL LIFE”: The Slow Show Create ‘Moments of Feeling’ in Beautifully Radiant & Resonant 4th Album

Hana Eid © Sam Wilson
Columns, Music, Today's SongFebruary 4, 2022<February 4, 2022

Today’s Song: Hana Eid Channels Young Love’s Passion in Cinematic Anthem “Dancing to The Smiths”

Peter Raffoul © Travis Latam
Columns, Music, Today's SongFebruary 3, 2022<February 3, 2022

Today’s Song: Peter Raffoul Is Barely Moving on in Radiant Second Single “cigarette holes”

MA/SA © Brittany Douziech
Music, Music Videos, PremieresFebruary 3, 2022<February 3, 2022

Premiere: MA/SA Dwells in Grief’s Void on Aching, Ethereal New Single “In My Breath”

Micah Edwards © Jeremy Kabala
Music, PremieresFebruary 2, 2022<February 2, 2022

Premiere: Micah Edwards Channels His Texas Soul in “Jean Leon”

Verb Tec © Dan Shahbazian
Music, Music Videos, PremieresFebruary 1, 2022<February 1, 2022

Video Premiere: Philly’s Verb Tec & Vanderslice Hit Home on “Letter From Portsmouth,” an Epic & Dynamic Artistic Statement

No Frills © Andrew McGill
Music, Music Videos, PremieresJanuary 31, 2022<January 31, 2022

Premiere: Toronto’s No Frills Explore Identity & Emulation in Buoyant “Copy Cat”

Atwood Magazine Editor's Picks 54
Columns, Editor's Picks, Features, MusicJanuary 28, 2022<June 6, 2022

Editor’s Picks 54: Nilüfer Yanya, Jack White, NewDad, Public Domain, Foxes, & Sunflower Thieves

Fergus © Matthew Thorne
Columns, Music, Today's SongJanuary 28, 2022<January 28, 2022

Today’s Song: Fergus Finds Redemption in Our Raw Depths on Tender Reeling “Flatline”

Sara Rachele © 2022
Music, PremieresJanuary 27, 2022<January 27, 2022

Premiere: Sara Rachele Basks in a Moment of Intimate Reverie on “T-T-Tonight”

Outer Ego - The fin.
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<January 27, 2022

“Universe, Pain, & Love”: A Track-by-Track Breakdown of The fin.’s Kaleidoscopic Album ‘Outer Ego’

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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