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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Misty Coast © Francisco Munoz
Music, Music Videos, PremieresMay 6, 2021<May 5, 2021

Premiere: Misty Coast’s “When I Fall From the Sky” Is a Psych-Pop Daydream

Blue Fish Diamond © Ruth Medjber
Music, ReviewsMay 5, 2021<May 5, 2021

Review: Dublin’s Blue Fish Diamond Shine in “Free,” a Folk Rock Beacon of Hope & Light

Sour Widows © Ginger Fierstein
Features, Music, Reviews, Track-by-TrackMay 5, 2021<May 5, 2021

“Loss, Reflection, & Relationship”: Sour Widows Explore the Depths of Space in ‘Crossing Over’ EP

The Marías © Ashley Seryn
Columns, Music, Today's SongMay 5, 2021<May 5, 2021

The Marías’ Spellbinding “Hush” Proves a Thrilling First Look at Debut ‘Cinema’

MARG "Maybe"
Music, PremieresMay 5, 2021<May 5, 2021

Premiere: MARG Brings Heartache to Life in Stripped Piano Song “Maybe”

SIX60
Music, ReviewsMay 4, 2021<May 4, 2021

New Zealand’s SIX60 Float on in “All She Wrote,” a Refreshing Song of Life & Perseverance

Sofia Camille
Music, ReviewsMay 4, 2021<May 4, 2021

Sofia Camille & hü Hit Rock Bottom with Stunning Flare on Dazzling Indie Pop Upheaval “talk to you”

Echo Bloom © Lissyelle Laricchia
Music, PremieresMay 4, 2021<May 4, 2021

Brooklyn’s Echo Bloom Reckon with the American Dream in “Don’t You Want to Be Loved”

White Water - Alex Lleo © Marc MacNab-Jack
Artist to Watch, Music, PremieresMay 4, 2021<May 4, 2021

Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity

Bellman © Line Loholt
Music, ReviewsMay 3, 2021<May 3, 2021

Bellman Shines a Light on the Darker Side of Life in “Let Somebody In (369)”

Yola © Joseph Ross Smith
Columns, Music, Today's SongMay 3, 2021<May 3, 2021

Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action

Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

Blake Layman © Alex Gore
Music, Music Videos, PremieresApril 30, 2021<April 30, 2021

Premiere: Charlottesville’s Blake Layman Stuns with Quietly Charming “Unhistoric Acts”

Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

Posts pagination
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Recent Posts

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  • “Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month March 19, 2026
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  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
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  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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