• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Spring Summer © Roman Coppola
Debut, Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Jennifer Furches’ Solo Project Spring Summer Debuts with Dazzling First Single “Bow Your Head”

Maritza Merk
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Smooth, Relatable, & Confident”: Maritza Merk Dives into Her Transformative Debut Album ‘X’

Unsaid - Psychic Shakes
Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP

Internet Raised © 2021
Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Internet Raised’s Intimate “Burning Sheets” Is a Seductive Indie Pop Dalliance

Babygirl © Kate Dockeray
Columns, Music, Today's SongMarch 16, 2021<March 15, 2021

Young Love & Loss: Ontario’s Babygirl Dazzle on Slick, Sweet Single “You Were in My Dream Last Night”

Timothy EP - Tim Chadwick
Features, Music, Reviews, Track-by-TrackMarch 12, 2021<March 12, 2021

“Heartbreaking, Honest, Healing”: Tim Chadwick Goes Track-by-Track Through ‘Timothy’ EP

Núria Graham © Marc Cusco
Artist to Watch, Music, PremieresMarch 12, 2021<March 12, 2021

Artist-to-Watch: Núria Graham Captivates on Cinematic & Dreamy “At Last”

Estère © Bayly & Moore
Features, Interviews, Music, Reviews, Track-by-TrackMarch 11, 2021<March 11, 2021

“Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’

maybe i will see you at the end of the world - Sydney Sprague
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2021<July 13, 2022

“Sentimental, Existential, & Vulnerable”: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’

Grouplove © James Marcus Haney
Features, Interviews, MusicMarch 11, 2021<April 8, 2021

“The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later

WULF
Interviews, Music, PremieresMarch 11, 2021<March 10, 2021

Interview: London Indie Rock Trio WULF Talk “Never Giving Up,” New Music, COVID, & More

Atwood Magazine Editor's Picks 47
Columns, Editor's Picks, Features, MusicMarch 10, 2021<April 8, 2021

Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl

Katy Kirby © Jackie Lee Young
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackMarch 10, 2021<March 10, 2021

“Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’

Ryanhood © Taylor Noel Mercado
Music, PremieresMarch 10, 2021<March 10, 2021

Premiere: Ryanhood’s Breathtaking & Wondrous “Wide Awake in a Dream” Ushers in a New Season

George Glew © Daniel Harris
Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

An Emotional Connection: George Glew Finds His Footing & Soars on Stirring ‘Gravity’ EP

Posts pagination
1 … 135 136 137 138 139 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services