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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

Eliza Elliott © Katie Kutchmire
Columns, Music, Today's SongJuly 6, 2023<July 6, 2023

Today’s Song: The Warm Glow of Eliza Elliott’s Vulnerable, Visceral, & Vivid “Live in My Brain”

Jo Hill © Charlotte Alex
Features, Interviews, Music, Track-by-TrackJune 16, 2023<June 16, 2023

Feature: Jo Hill Is Ready to Soundtrack the Summer With ‘Cinematic Baby’

Atwood Magazine's Editor's Picks 102
Columns, Editor's Picks, Features, MusicJune 14, 2023<June 15, 2023

Editor’s Picks 102: Birthh, The Mysterines, Angie McMahon, Katelyn Tarver, Katherine Li, & The Japanese House!

Savannah Conley © Sophia Matinazad
Debut, Features, Interviews, MusicJune 13, 2023<June 14, 2023

“I’m a Romantic Nihilist”: Savannah Conley Discusses Songwriting, Mental Health, & Her Breathtakingly Vulnerable Debut Album

Mermaid Blues V1 - LAPêCHE
Columns, Music, Today's SongJune 13, 2023<June 13, 2023

Today’s Song: The Raw Verve & Vulnerability of LAPêCHE’s Seasonally-Charged “Mermaid Blues (V1)”

Small Shake © Brady Harvey
Debut, Music, PremieresJune 13, 2023<June 13, 2023

Premiere: Seattle’s Small Shake Debuts with “Imposter,” a Grunge-Pop Anthem for the Uncool

Almost Sex © 2023
Features, Interviews, Music, Premieres, Track-by-TrackJune 12, 2023<June 12, 2023

EP Premiere: ‘Ever Better’ Is a Cathartic Indie Folk Triumph for Brooklyn’s almost sex

Dance Lessons © Craig Benson
Columns, Music, Today's SongJune 12, 2023<June 12, 2023

Today’s Song: London Trio Dance Lessons Seduce the Senses on Soul-Stirring “Good Enough”

Mainland Break © 2023
Music, PremieresJune 12, 2023<June 12, 2023

Premiere: Denver’s Mainland Break Deliver a Jangle-Pop Anthem of Star-Crossed Summer Love in “Calling After”

Joshua Idehen 'Learn To Swim' © Agatha Powa
Debut, Features, Interviews, Music, Track-by-TrackJune 9, 2023<July 21, 2023

“The ways and hows of healing”: Inside Joshua Idehen’s Spoken Word Dance Album, ‘Learn To Swim, A Mixtape’

Joya © Stephanie Teng
Columns, Music, Today's SongJune 9, 2023<June 9, 2023

Today’s Song: Joya’s “If Ever She Goes” Aches with the Heartrending Beauty & Power of Love

Atwood Magazine's Editor's Picks 101!
Columns, Editor's Picks, Features, MusicJune 8, 2023<June 14, 2023

Editor’s Picks 101: Sydney Sprague, The Aces, Bear’s Den, Bleach Lab, Pacifica, & Eyedress!

Bishop Briggs © Ashley Osborn
Columns, Music, Today's SongJune 8, 2023<June 8, 2023

Today’s Song: Bishop Briggs Owns Her Mess in “Baggage,” an Impassioned Anthem of Empowerment & Acceptance

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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