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Oliver Crook

Oliver Crook

Junior editor Oliver Crook is a Canada-based journalist who has been playing guitar and deciphering lyrics since he first heard Sum 41’s “Fat Lip” blasting through his older brother’s bedroom walls. Although his taste has (somewhat) developed since then, his passion is just as strong as ever. When not writing about music, he can be found drinking too much coffee, complaining about the finickiness of avocados, and being disappointed by all of his favourite sports teams.

English Teacher © Tatiana Ponzuelo
Artist to Watch, Columns, Music, Today's SongJanuary 31, 2023<January 31, 2023

Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love”

Bob Vylan © Esmé Surfleet
Columns, Music, Today's SongMarch 22, 2022<June 17, 2023

Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth”

Khruangbin and Leon Bridges © Pooneh Ghana
Music, ReviewsMarch 15, 2022<March 15, 2022

Album Review: Khruangbin and Leon Bridges Team Up in the Most Experimental and Melodic Way on ‘Texas Moon’

Farees © Raffaele Serra
Music, PremieresMarch 9, 2022<April 3, 2022

Premiere: Farees Brings the Melody and the Message on Funk Banger “Bad Apples”

Keb' Mo' © Jeremy Cowart
Features, Music, ReviewsFebruary 8, 2022<February 8, 2022

Review: Keb’ Mo’ Returns to – and Reimagines – Compton on New Album ‘Good to Be’

J Dilla
Books, Music, ReviewsFebruary 2, 2022<February 2, 2022

Book Review: ‘Dilla Time’ Captures the Little Acknowledged Musical Revolution of the 1990s

Questlove "Music Is History" © Daniel Dorsa
Books, Columns, MusicDecember 20, 2021<December 20, 2021

Book Review: Questlove Rolls Back the Years & Adds Context in Riveting ‘Music Is History’

'Rock Concert' book - Marc Myers
Books, Columns, MusicDecember 14, 2021<December 14, 2021

Book Review: Marc Myers Pulls the Curtain Back on the Live Music We Love So Much in ‘Rock Concert’

Neil Young and Crazy Horse © dhlovelife
Columns, Music, ReviewsDecember 10, 2021<December 10, 2021

Neil Young and Crazy Horse Show They’re Nowhere Near Finished on ‘Barn’

Raekwon © Erick Sasso
Books, Music, ReviewsDecember 8, 2021<December 8, 2021

Book Review: Raekwon Gives Us a Powerful Snapshot of ’90s Hip-Hop and NY Life in ‘Raekwon: From Staircase to Stage’

Kelefa Sanneh © Jason Nocito
Books, Columns, MusicDecember 2, 2021<December 2, 2021

Book Review: Kelefa Sanneh Spans Seven Genres, Fifty Years, & Countless Gems in ‘Major Labels’

Jackie Kay x Bessie Smith © Mary McCartney
Books, ReviewsNovember 8, 2021<November 8, 2021

Book Review: Jackie Kay Gives the Empress of the Blues Her Flowers in Reissue of ‘Bessie Smith: A Poet’s Biography of a Blues Legend’

Miles Marshall Lewis © Barron Claiborne
Books, Music, ReviewsOctober 4, 2021<October 4, 2021

Book Review: Miles Marshall Lewis Adjusts Kendrick Lamar’s Crown in ‘Promise That You Will Sing About Me’

Shad © Justin Broadbent
Features, Interviews, MusicOctober 1, 2021<October 1, 2021

Interview: Shad Reimagines Human Connection on ‘Tao’

The Muslims © Chris Charles
Music, ReviewsSeptember 24, 2021<September 24, 2021

Album Review: The Muslims Scorch Earth and Revive Punk on ‘Fuck These Fuckin Fascists’

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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