April 2, 2020<April 2, 2020 Today’s Song: Lithics Keep It Catchy, Minimal, & Disjointed on New Single “Hands” by Nick Matthopoulos
April 2, 2020<April 8, 2020 Breaking the Record with Roan Yellowthorn, Part 9: Artwork by Guest Writer
March 31, 2020<March 31, 2020 Today’s Song: Waxahatchee’s “Can’t Do Much” Is an Apt Blend of Reality and Dreaminess by Frankie Rose
March 30, 2020<March 30, 2020 Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance by Josh Weiner
March 27, 2020<March 27, 2020 Today’s Song: Worriers Give Voice to Global Loneliness in “Big Feelings” & Catastrophe in “End of the World” by James Crowley
March 26, 2020<March 26, 2020 Breaking the Record with Roan Yellowthorn, Part 8: In Support of Music by Guest Writer
March 26, 2020<March 26, 2020 Today’s Song: Welsh Sister Duo The Debutantes Razzle n’ Dazzle on “My Precious Love” by Josh Weiner
March 25, 2020<March 26, 2020 Today’s Song: The Elevated DIY Magic of Alice Phoebe Lou’s “Witches” by Frankie Rose
March 24, 2020<March 26, 2020 Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time by Baylee Less
March 23, 2020<March 26, 2020 Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy by Kelly McCafferty Dorogy
March 21, 2020<March 21, 2020 Atwood Magazine’s Weekly Roundup: March 21, 2020 by Atwood Magazine Staff
March 20, 2020<March 20, 2020 Artist to Watch: Holly Humberstone’s Second Single “Falling Asleep at the Wheel” Is a Hauntingly Intimate Upheaval by Mitch Mosk
March 19, 2020<March 19, 2020 Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times by Mitch Mosk
March 19, 2020<March 21, 2020 Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks by Josh Weiner
March 19, 2020<March 16, 2020 Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More by Guest Writer
For the Love of Music
For the Love of Music
