October 3, 2023<October 3, 2023 Artist to Watch: Willow Avalon’s Debut Single “Drivin” Is a Timeless Classic of Bruised Hearts and Highways by Mitch Mosk
October 2, 2023<October 2, 2023 Today’s Song: blink-182 Get Candid With “ONE MORE TIME,” a Ballad of Brotherhood & Reunion by Laurent Chavannes
September 27, 2023<September 27, 2023 Interview: Levitation Room Tackle Climate Change With Fresh Single “Cool It, Baby” by Miles Campbell
September 26, 2023<September 26, 2023 Today’s Song: Wild Nothing Return With Vibrant, ‘80s-Esque Earworm “Suburban Solutions” by Beau Hayhoe
September 25, 2023<September 25, 2023 Today’s Song: Faye Webster Matures With Romantic New Single “Lifetime” by Julia Dzurillay
September 23, 2023<September 23, 2023 Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me” by Laurent Chavannes
September 22, 2023<September 22, 2023 The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You” by Mitch Mosk
September 22, 2023<September 22, 2023 Atwood Magazine’s Weekly Roundup: September 22, 2023 by Atwood Magazine Staff
September 21, 2023<September 21, 2023 Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love by Mitch Mosk
September 21, 2023<September 21, 2023 Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back by Audrey Connelly
September 20, 2023<September 20, 2023 Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering by Mitch Mosk
September 20, 2023<September 20, 2023 Podcast: Tunes & Tumblers Features Magnolia Park and a Passion Eater (ft. Tristan Torres) by Atwood Magazine Staff
September 19, 2023<September 19, 2023 Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning by Mitch Mosk
September 18, 2023<September 18, 2023 Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature by Sofia Sar
For the Love of Music
For the Love of Music
