April 22, 2021<April 22, 2021 Today’s Song: MARINA’s “Purge the Poison” Is an Anthem We Should All Take to Heart by Dimitra Gurduiala
April 21, 2021<April 21, 2021 Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World” by Josh Weiner
April 20, 2021<April 20, 2021 Today’s Song: yey Hypnotizes ‘Til the Break of “Dawn” on Her Expressive Third Single by Dimitra Gurduiala
April 19, 2021<April 19, 2021 Today’s Song: “Thumbs” Is Lucy Dacus’ Ultimate Statement as a Storyteller by Nicole Almeida
April 16, 2021<March 25, 2022 Atwood Magazine’s Weekly Roundup: April 16, 2021 by Atwood Magazine Staff
April 15, 2021<April 11, 2021 Today’s Song: SEB Stuns with Poignantly Wistful “Coney Island” by Luke Pettican
April 15, 2021<April 14, 2021 Breaking the Record with Roan Yellowthorn, Part 58: Horcrux by Guest Writer
April 14, 2021<October 5, 2021 Editor’s Picks 50: DE’WAYNE, Saint Sister, Aquagie, Years & Years, Matt Muse, & Sour Widows by Mitch Mosk
April 14, 2021<April 13, 2021 Today’s Song: The National Are an Open Book in “Don’t Swallow the Cap” by Kosiso Ugwueze
April 13, 2021<April 9, 2021 Today’s Song: Markéta Irglová Holds Death in Her Embrace with “Among the Living” by Nasim Elyasi
April 12, 2021<April 9, 2021 Today’s Song: Satomimagae Combines Dark Folk & Ambient Atmospheres in “Houkou” by Diego Morales
April 10, 2021<April 9, 2021 Today’s Song: The Dirty Nil End the Night with “One More and the Bill” by James Crowley
April 9, 2021<April 9, 2021 Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire” by Adrian Vargas
April 8, 2021<April 8, 2021 This Just In: Gatlin’s “What If I Love You” Is a Bright & Buoyant Upheaval by Mitch Mosk