May 20, 2022<January 30, 2024 “Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’ by Nasim Elyasi
May 20, 2022<May 23, 2022 “Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP by Mitch Mosk
May 19, 2022<May 19, 2022 “Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’ by Mitch Mosk
May 19, 2022<May 19, 2022 “Jaws Underneath Your Feet”: A Conversation with Bloc Party’s Kele Okereke by Ben Niesen
May 17, 2022<May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
May 16, 2022<May 16, 2022 “Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’ by Mitch Mosk
May 16, 2022<September 29, 2022 “Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie by Mitch Mosk
May 13, 2022<May 16, 2022 “Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’ by Mitch Mosk
May 13, 2022<June 2, 2022 “Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP by Mitch Mosk
May 12, 2022<June 29, 2022 “Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP by Mitch Mosk
May 12, 2022<May 16, 2023 Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’ by Sophie Prettyman-Beauchamp
May 11, 2022<June 12, 2022 “Snap, Crackle, Pop”: Chelsea Jade Dives Inside Her Stunningly Vulnerable ‘Soft Spot’ by Mitch Mosk
May 11, 2022<September 29, 2022 “I Can’t Let Go”: Suki Waterhouse Talks Debut Album, Manifesting the Future, & Finding Peace Through Constant Motion by Beau Hayhoe
May 11, 2022<November 1, 2022 “Psychedelic Social Commentary”: Inside Jermiside & The Expert’s Urgent & Impassioned ‘The Overview Effect’ by Mitch Mosk
For the Love of Music
For the Love of Music
