August 18, 2020<August 18, 2020 Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat” by Mitch Mosk
August 18, 2020<August 18, 2020 Premiere: Madelline Stands Up for Herself in “On a Different Wave!”, a Wake Up Call to Those Who Dragged Her Down by Alicia Bugallo
August 18, 2020<August 18, 2020 Review: Terrace Martin, Denzel Curry, & Kamasi Washington’s Protest Masterpiece ‘Racism on Trial’ by Mariel Fechik
August 17, 2020<August 17, 2020 Interview with Big Words: New Mixtape Is the “Cherry” on Top of Impressive Start for Australian Alt-R&B Duo by Josh Weiner
August 17, 2020<August 17, 2020 Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In” by Oliver Crook
August 14, 2020<August 14, 2020 A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen by Nicole Almeida
August 14, 2020<August 14, 2020 Power, Race, and Positivity: A Conversation with Fantastic Negrito by Ilana Kalish
August 14, 2020<August 14, 2020 Today’s Song: Marie Naffah’s “The Cage” Offers a Summery Tune to Groove To by Adrian Vargas
August 14, 2020<August 14, 2020 Atwood Magazine’s Weekly Roundup: August 14, 2020 by Atwood Magazine Staff
August 13, 2020<August 13, 2020 Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’ by Ryan Feyre
August 13, 2020<August 14, 2020 “Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’ by Mitch Mosk
August 13, 2020<August 13, 2020 Premiere: Worthitpurchase Deal with the Pain of Being Nostalgic on Debut “Dizzy Age” by Nick Matthopoulos
August 13, 2020<August 13, 2020 Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream by Mitch Mosk
August 13, 2020<August 13, 2020 Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go” by James Crowley
August 13, 2020<August 13, 2020 Breaking the Record with Roan Yellowthorn, Part 27: Going Indie by Mitch Mosk