August 4, 2022<August 4, 2022 Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder by Isabella Le
August 4, 2022<August 4, 2022 Balling and Bruised: The Road to EDEN’s Third Full-Length Album by Coco Rich
August 3, 2022<August 4, 2022 BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album by Mitch Mosk
August 3, 2022<September 29, 2022 “No One’s Holding You Back Now”: Madison Cunningham Surrenders to the Process, Welcoming Discomfort with Open Arms by Sophie Severs
August 3, 2022<August 3, 2022 Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden” by Mitch Mosk
August 3, 2022<August 3, 2022 Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child by Mitch Mosk
August 2, 2022<August 2, 2022 Right Behind You: A Conversation with Portland’s Resident Spoon Benders by Ben Niesen
August 2, 2022<August 2, 2022 Premiere: Nashville Duo Homes at Night’s Raw & Catchy Alt-Rock Reeling, “Tell Emma” by Mitch Mosk
August 2, 2022<August 2, 2022 “I wanted to write a song that captured the joy of coming out”: Gemma Laurence Soars & Stirs on “Lavender” by Mitch Mosk
July 27, 2022<August 1, 2022 Today’s Song: Louyah Finds His Inner “Peter Pan” in Authentic New Single by Joe Beer
7.6 July 25, 2022<July 12, 2022 Our Take: Lupe Fiasco Goes Jazzy, Stays Provocative on ‘Drill Music in Zion’ by Josh Weiner
July 21, 2022<July 13, 2022 Review: Wasia Project’s Debut EP ‘how can i pretend?’ Is Your Next Heartstopper by Madeleine Eggen
July 20, 2022<July 12, 2022 “Kaleidoscope of Catharsis”: A Track-by-Track Review of Lia Rye’s ‘Fever Dream’ EP by Joe Beer
July 19, 2022<July 12, 2022 Keeping it Real: How Claire Rosinkranz Stays Grounded within Today’s Whirlwind Industry by Sophie Severs
For the Love of Music
For the Love of Music
