September 20, 2019<October 16, 2019 Atwood Magazine’s Weekly Roundup: September 20, 2019 by Atwood Magazine Staff
September 20, 2019<September 20, 2019 A Conversation with DJ ST. THOMAS: A Fresh Psychedelic Slice of Electronic with Some Persian Flavoring by Josh Weiner
September 20, 2019<September 20, 2019 Live Review: The Met Philly Bears Witness to Bastille’s Cinematic and Colourful Doom Days by Nicole Almeida
September 20, 2019<September 20, 2019 Premiere: Of The Wild Start Down the Path to Self-Discovery on “Heartbreaker” by Meredith Nardino
September 20, 2019<September 19, 2019 Today’s Song: Cold War Kids Lay Down the Magic in “Waiting for Your Love” by Mitch Mosk
September 19, 2019<October 16, 2019 Premiere: Modern Love Child Is Restless & Unapologetically True-to-Self on “In a City” by Mitch Mosk
September 19, 2019<September 19, 2019 Live Review: Ashe’s Warm and Inviting Family Affair at Philadelphia’s World Café Live by Nicole Almeida
September 19, 2019<September 19, 2019 Premiere: The Cordial Sins Embrace “Cruel” Love and Death’s Sweet Romance by Mitch Mosk
September 19, 2019<September 19, 2019 Review: Djo’s Hypnotic, Confident Debut ‘Twenty Twenty’ by Mariel Fechik
September 19, 2019<September 19, 2019 Album Premiere: Louien Transforms Grief into Beauty on Soul-Stirring Debut ‘None of My Words’ by Mitch Mosk
September 19, 2019<September 19, 2019 Premiere: Brooklyn’s Kirsten Izer Waxes Bittersweet in Stripped Song “One Year” by Mitch Mosk
September 19, 2019<September 19, 2019 Today’s Song: FKA twigs Preaches a Self-Love Saturated Gospel with “holy terrain” by Jesse Herb
September 19, 2019<October 16, 2019 Premiere: SPRINTS’ “The Cheek” Sarcastically Swings at Every Dance Floor Dirtbag by Oliver Crook
September 18, 2019<September 18, 2019 Album Review: The Rich, Raw Polish of Broke Royals’ ‘Saint Luxury’ by Mitch Mosk
For the Love of Music
For the Love of Music
