May 1, 2019<June 19, 2019 Variations: Max Richter’s “My Brilliant Friend” Soundtrack and the Contemporary Classical Movement Towards the Mainstream by Coco Rich
May 1, 2019<July 3, 2019 Illusion, Reality, and Young the Giant’s ‘Mirror Master’ Philosophy by Mitch Mosk
April 30, 2019<April 30, 2019 In the Doghouse: A Conversation with Pop Punk Icons PUP by Matthew Dunn
April 30, 2019<April 30, 2019 Our Take: Rhys Lewis Enchants with the Reassuringly Reflective ‘In Between Minds’ EP by Luke Pettican
April 30, 2019<April 30, 2019 Premiere: Cosmo Gold’s Swirly, Cosmic Debut “Dark Matter” by Mariel Fechik
April 30, 2019<April 30, 2019 Premiere: Indoor Creature Allude to Society’s Contradictions with “Paradox” by Kareem Ghezawi
April 30, 2019<April 25, 2022 Feature: Bear’s Den Shine a Light on Grief in ‘So that you might hear me’ by Mitch Mosk
April 30, 2019<April 30, 2019 Premiere: The Arresting Allure of Tall Children’s Sunny “Be with Me” by Mitch Mosk
April 29, 2019<April 29, 2019 Premiere: Driving into a New Life Chapter with Jordan Whitmore’s “Something Different” by Frankie Rose
April 29, 2019<April 29, 2019 The Hummingbird and The Flower: A Conversation with Mark Diamond by Nicole Almeida
April 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Frankie Rose
April 26, 2019<July 3, 2019 Atwood Magazine’s Weekly Roundup: April 26, 2019 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
