April 3, 2020<June 29, 2024 Roundtable Discussion: A Review of Dua Lipa’s ‘Future Nostalgia’ by Atwood Magazine Staff
April 3, 2020<April 1, 2020 Today’s Song: Lemondrop’s Youthful & Exciting Groove on “Strawberry Wine” by Lowndes Commander
April 3, 2020<May 15, 2020 Finding Connection in Isolation: Overcoats’ Hopeful & Empowering Album ‘The Fight’ by Mitch Mosk
April 2, 2020<April 6, 2020 Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’ by Mitch Mosk
April 2, 2020<April 2, 2020 Premiere: Brighton’s Twilight Driving Return with Cinematic Anthem “Break Your Heart” by Mitch Mosk
April 2, 2020<April 1, 2020 Premiere: Bo Baskoro Returns to an Intimate Period of His Past on “Close Enough” by Josh Weiner
April 2, 2020<April 2, 2020 Interview with Dan Croll: Removing the Safety Net and Settling In by Maggie McHale
8.3 April 2, 2020<December 15, 2020 Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution by Danny Vagnoni
April 2, 2020<April 2, 2020 Today’s Song: Lithics Keep It Catchy, Minimal, & Disjointed on New Single “Hands” by Nick Matthopoulos
April 2, 2020<April 8, 2020 Breaking the Record with Roan Yellowthorn, Part 9: Artwork by Guest Writer
April 2, 2020<March 31, 2020 This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely” by Luke Pettican
April 2, 2020<April 1, 2020 Premiere: Racoon Racoon Continue Their Eloquent Streak of Metaphorical Songwriting on “Deep Brown Eyes” by Ryan Feyre
March 31, 2020<April 5, 2020 Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands” by Mitch Mosk
March 31, 2020<March 31, 2020 Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage” by Mitch Mosk
March 31, 2020<December 15, 2020 Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’ by Josh Weiner
For the Love of Music
For the Love of Music
