April 9, 2020<June 29, 2024 Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act by Atwood Magazine Staff
April 9, 2020<April 6, 2020 Music You Should Know: The Unpredictable but Intriguing Sounds of Weatherday’s ‘Come In’ by Nick Matthopoulos
April 9, 2020<April 9, 2020 Premiere: Half Light Go Track-by-Track Through the Shades of ‘Good Latimer’ by Coco Rich
April 9, 2020<April 9, 2020 Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo by Mitch Mosk
April 9, 2020<April 8, 2020 Breaking the Record with Roan Yellowthorn, Part 10: Building the Community by Guest Writer
April 8, 2020<April 8, 2020 Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song by Mitch Mosk
April 8, 2020<April 8, 2020 Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood by Josh Weiner
April 8, 2020<April 8, 2020 Interview: Peeling Back Layers of Lo-Fi Fruit with The Lazy Eyes & New Single “Tangerine” by Nick Matthopoulos
April 8, 2020<April 7, 2020 Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove by Mitch Mosk
April 8, 2020<April 8, 2020 Today’s Song: Ireland’s Slyrydes Take You on Whirlwind Tour of Their Mind on “I Claim to Be Intelligent” by Oliver Crook
April 7, 2020<April 7, 2020 EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP by Mitch Mosk
8.9 April 7, 2020<December 15, 2020 Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’ by Mitch Mosk
April 7, 2020<May 15, 2020 Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic by Mitch Mosk
April 7, 2020<April 6, 2020 Premiere: Sophia St. Helen Wants You to Shoot Your Shot in New Single “What the Heart Wants” by Danny Vagnoni
For the Love of Music
For the Love of Music
