April 17, 2019<April 17, 2019 Video Premiere: Uncertainty & Hope Collide in Shayfer James’ “Mostly Major Chords” by Adrian Vargas
April 17, 2019<April 18, 2019 Premiere: Lamenting Lost Love with Ben Morrison’s “I Hope You’re Not Sorry” by Monica Mellon
April 17, 2019<April 16, 2019 Premiere: Martian Subculture Longs for Nostalgia in “I’ll Be Gold” by Caitlin Ison
April 16, 2019<October 14, 2024 Premiere: Ellen Starski’s Beautiful Alzheimer’s Awareness Video “Ode to Nanny & Cookie” by Mitch Mosk
April 16, 2019<April 16, 2019 EP Review: Love Is in the Air, and Damon Mitchell’s ‘Elise’ Catches Every Whiff by Carolyn Fasone
April 16, 2019<April 16, 2019 Premiere: Embracing Surrender & Control in Bishat’s Cinematic “ctrl+m” by Mitch Mosk
April 15, 2019<April 15, 2019 Premiere: Moving On with Nick Cianci’s Driving “The Night We Crashed Your Dad’s Car” by Mitch Mosk
April 15, 2019<April 12, 2019 Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25” by Luke Pettican
April 12, 2019<April 30, 2019 Atwood Magazine’s Weekly Roundup: April 12, 2019 by Atwood Magazine Staff
April 12, 2019<April 12, 2019 Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel by Danny Vagnoni
April 12, 2019<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff
April 12, 2019<April 12, 2019 Premiere: Basking in Bedouin Soundclash’s Infectious, Sunny “Clock Work” by Mitch Mosk
For the Love of Music
For the Love of Music
