March 25, 2020<March 25, 2020 Our Take: allie’s ‘Junior Coder’s Experiment’ EP Strives to See the Good in Existence by Lowndes Commander
March 25, 2020<March 25, 2020 Interview with The Griswolds: Endless Opportunities of Fun and New Directions by Maggie McHale
March 25, 2020<March 25, 2020 Lido’s “Postclubridehomemusic” Leads Listeners into Their Emotions with a Supersonic Comedown Track by Lexi Lane
March 25, 2020<March 26, 2020 Today’s Song: The Elevated DIY Magic of Alice Phoebe Lou’s “Witches” by Frankie Rose
March 25, 2020<May 15, 2020 Artist-to-Watch: Nicotine Dolls’ “Should Have Danced” Is a Hopeful & Inspiring Fever Dream by Mitch Mosk
March 25, 2020<March 24, 2020 Premiere: Siv Jakobsen’s “Fight or Flight” Breathes a Chill of Mellow Thoughtfulness by Nick Matthopoulos
March 24, 2020<March 24, 2020 Interview with Love You Later: A Dive into the Complexities of Emotion by Josh Weiner
March 24, 2020<March 24, 2020 Premiere: Artist-to-Watch Sharaya Summers Returns with Raw, Intimate Song “This House” by Mitch Mosk
March 24, 2020<March 24, 2020 EP Premiere: ZEMBU’s Debut EP ‘recall’ Offers a Spectral Journey of Self-Discovery by Baylee Less
March 24, 2020<March 24, 2020 Review: Melbourne’s Big Yawn Arrive Mightily on the Underground Scene with Delirious Debut ‘No!’ by Guest Writer
March 24, 2020<March 26, 2020 Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time by Baylee Less
March 23, 2020<March 23, 2020 Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience by Mitch Mosk
March 23, 2020<March 26, 2020 Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy by Kelly McCafferty Dorogy
March 21, 2020<March 21, 2020 Atwood Magazine’s Weekly Roundup: March 21, 2020 by Atwood Magazine Staff
March 20, 2020<May 15, 2020 This Just In: The Killers Throw “Caution” to the Wind in a Restless, Impassioned Upheaval by Mitch Mosk
For the Love of Music
For the Love of Music
