January 29, 2019<January 29, 2019 Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time by Mitch Mosk
January 29, 2019<January 29, 2019 Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits” by Danny Vagnoni
January 28, 2019<January 28, 2019 Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There by Ben Niesen
January 28, 2019<January 28, 2019 Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming by Mitch Mosk
January 28, 2019<January 25, 2019 Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians” by Hermione Kellow
January 25, 2019<January 28, 2019 Review: ‘King of the Dudes’ Will Make Sunflower Bean Live Forever by Nicole Almeida
January 25, 2019<January 26, 2019 Review: ‘Trigger Warning’ with Killer Mike Has a Big Heart Underneath its Pugilistic Attitude by Danny Vagnoni
January 25, 2019<January 30, 2019 Atwood Magazine’s Weekly Roundup: January 25, 2019 by Atwood Magazine Staff
January 25, 2019<December 18, 2019 Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction by Mitch Mosk
January 25, 2019<June 29, 2024 Roundtable Discussion: A Review of James Blake’s ‘Assume Form’ by Atwood Magazine Staff
January 25, 2019<January 25, 2019 Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down” by Mitch Mosk
January 25, 2019<February 1, 2019 Today’s Song: Birch’s Hopeful, Empowered Protest “Spelling Lessons” by Carolyn Fasone
January 25, 2019<January 26, 2019 Premiere: Lowland Hum Address Existential Ennui in “Slow” Video by James Crowley
January 25, 2019<January 24, 2019 Premiere: Seclusion, Struggle, and Sanguineness in Somebody’s Child’s “Toes” Video by Luke Pettican
For the Love of Music
For the Love of Music
