January 16, 2019<January 16, 2019 Interview with The Jesus and Mary Chain: A Lot of Damage & A Lot of Joy by Shayna Chabrow
January 16, 2019<January 16, 2019 Premiere: Dinolion’s Film ‘Rashomon’ Explores Perceived Reality with 14 Houston Artists by Mitch Mosk
January 16, 2019<January 16, 2019 Premiere: Fort Frances Urge Us to Press Pause in “Double Take” by Mitch Mosk
January 16, 2019<January 15, 2019 Editorial: The Mastery of Musical Storytelling and How Music Documentaries Influence Artists’ Relevance by Maggie McHale
January 16, 2019<January 15, 2019 Premiere: Running Red Lights’ “Calls of Prudence” Confronts the Ghosts of a Romanticised Past by Frankie Rose
January 16, 2019<January 16, 2019 Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level” by Oliver Crook
January 15, 2019<January 15, 2019 Watch: Heart, Warmth, and Hope in Michael Burrows’ “Turn This Love Around” by Mitch Mosk
January 15, 2019<January 15, 2019 Premiere: Michael McArthur Laments on the Dark Side of Love with “Ever Green, Ever Rain” by Abby Jones
January 15, 2019<January 15, 2019 Premiere: Butterjack’s “Hot Sauce” Is a Love Song with a Bite by Mitch Mosk
January 15, 2019<January 15, 2019 Premiere: False Hopes & Love in Noble Kids’ “West of Here” by Mitch Mosk
January 15, 2019<January 24, 2019 The Killers’ Impassioned “Land of the Free,” an American Protest by Mitch Mosk
January 14, 2019<January 14, 2019 Premiere: Living Right with Matt Koelsch & Georgia Feroce’s Inspiring “All My Friends” by Mitch Mosk
January 14, 2019<January 14, 2019 Premiere: Andy Frasco & The U.N. Shine in Tender “Can’t Force Love” by Mitch Mosk
January 14, 2019<January 14, 2019 Video Premiere: Cathedrals’ “Just a Game” Presents a Grim Fairytale of Anguished Love by Adrian Vargas
For the Love of Music
For the Love of Music
