November 7, 2018<November 8, 2018 Premiere: Falling Hard for RKCB’s Sexistential Lament “Know Love” by Mitch Mosk
November 7, 2018<November 29, 2018 This Just In: Sleek and Stylized, Foxwarren’s “Everything Apart” Is a Versatile and Engaging Debut Single by Adrian Vargas
November 6, 2018<November 6, 2018 Premiere: The Raw, Tender Beauty of Gabriella Rose’s Debut “Lost in Translation” by Mitch Mosk
November 2, 2018<November 2, 2018 Interview with Lemaitre: An Atypical Electronic Duo by Luke Pettican
November 1, 2018<November 1, 2018 Album Premiere: Embarking on a New Adventure with oh800’s debut ‘Character Building’ by Audrey Steeves
November 1, 2018<May 8, 2023 Today’s Song: Dennis Ellsworth Celebrates Canada-bis with “Stoned” by Jason Schneider
October 31, 2018<October 31, 2018 Premiere: SILVER Turns Frustration into Colourful Fun with “Take It Away” by Nicole Almeida
October 31, 2018<November 9, 2018 Interview: Henry Jamison’s Inspiring & Transcendent “Gloria” by Mitch Mosk
October 31, 2018<October 31, 2018 Today’s Song: Aurora Creates an Anthem for Outcasts with “Queendom” by Frankie Rose
October 31, 2018<October 30, 2018 Premiere: Indulge in vverevvolf’s Energetic, Addictive “Sugar & Spice” by Mitch Mosk
October 30, 2018<October 30, 2018 EP Premiere: DYLN’s Darkness Shines in Stunning Debut ‘Chapter 1: The Truth’ by Mitch Mosk
October 30, 2018<October 30, 2018 Power in Reinvention and Identity: A Conversation with Your Smith by Nicole Almeida
October 30, 2018<October 30, 2018 Premiere: If The Night Could Glare, Sleep Thieves’ “Sea of Shadows” Would Be It by Nick Baron
October 29, 2018<October 29, 2018 Premiere: The Reflective Allure of Timber’s “Shuttlecock” by Mitch Mosk
October 29, 2018<October 29, 2018 Born to Die Alone: A Conversation with Zeal & Ardor by James Crowley
For the Love of Music
For the Love of Music
