December 13, 2018<December 13, 2018 Premiere: Empowerment & Self-Love Shine Through Rynn’s “In My Head” by Mitch Mosk
December 13, 2018<December 13, 2018 Premiere: Common Jack’s Sun-Filled “Viñales” Emphasizes the Charm of Traveling by Frankie Rose
December 13, 2018<December 13, 2018 This Just In: American Football Showcase A Musical Evolution with Captivating “Silhouettes” by Adrian Vargas
December 13, 2018<December 13, 2018 Premiere: Brigetta’s Infectious Indie Pop Anthem “Sick” by Mitch Mosk
December 13, 2018<December 12, 2018 Today’s Song: French for Rabbits Explore New Heights with “Highest Hill” by Frankie Rose
December 12, 2018<December 12, 2018 Premiere: Crusoe’s “Living with the Lights Out” Aches with Heart & Hope in the Dark by Mitch Mosk
December 12, 2018<December 12, 2018 Video Premiere: Heartbreak & Redemption in Cumulus’ Driving Anthem “Sing to Me” by Mitch Mosk
December 12, 2018<December 20, 2018 Premiere: FERGUS’ Hauntingly Tender “Strangers in the Night” Will Take Your Breath Away by Mitch Mosk
December 12, 2018<December 12, 2018 Experimentation, Technology, and Interactive Album Art: A Conversation with The Britanys by James Meadows
December 12, 2018<December 12, 2018 Live: Pale Waves Rock Los Angeles with Contagious Goth Pop Charm by Caitlin Ison
December 12, 2018<December 12, 2018 Today’s Song: JP Saxe Reimagines the Breakup Anthem with “25 in Barcelona” by Luke Pettican
December 11, 2018<December 11, 2018 Premiere: The Enchanting Allure of Dani Bell & The Tarantist’s “The End” by Mitch Mosk
December 11, 2018<December 11, 2018 Premiere: The Pain and Charm of Haint Blue’s “Bear the Burden” by Mitch Mosk
December 11, 2018<December 20, 2018 Mistletones: End-of-Year Euphoria Courtesy of Whyte Horses’ Christmas Song “Next Year Will Be Mine” by Frankie Rose
December 11, 2018<December 11, 2018 Premiere: CALICA Debuts with Love & Self-Sacrifice in Dazzling “Give & Take” by Mitch Mosk
For the Love of Music
For the Love of Music
