November 10, 2017<November 10, 2017 Our Take: Tourist Takes a Peaceful Journey on ‘Wash’ EP by Natalie Harmsen
November 10, 2017<November 10, 2017 Premiere: I Hate You Just Kidding’s Happy/Sad Song “Smokestacks” by Mitch Mosk
November 10, 2017<November 10, 2017 Premiere: Talkie’s “Marcy” Is Refreshingly West Coast in a New Way by Kelly Wynne
November 10, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 10, 2017 by Atwood Magazine Staff
November 9, 2017<November 10, 2017 EP Premiere: The Avalon Hi-Fi’s Ultimate Revelry on ‘There in the Dark’ by Ethan Armbrust
November 9, 2017<November 9, 2017 Feature: Alyeska Debut with Crushing Weight and a Raw Energy by Mitch Mosk
November 9, 2017<November 9, 2017 Premiere: Both Sides of red steppes’ Debut “Bixby” by Kaitlyn Zorilla
November 9, 2017<November 9, 2017 Nostalgia Tracks: Girls’ Cheeky Quest for Their “Honey Bunny” by Nicole Almeida
November 9, 2017<November 8, 2017 Today’s Song: MisterWives’ Soul-Pumping & Heartwarming “Never Give Up on Me” by Kelly McCafferty Dorogy
November 9, 2017<November 9, 2017 Premiere: Irrevery’s In-Your-Face, Cartoonish Debut “Desert Song” by James Crowley
November 9, 2017<November 9, 2017 Karaoke Bar to Spotify Star: An Interview with Lewis Capaldi by Christine Costello
November 9, 2017<December 11, 2017 Feature: Embracing Raw Intimacy Through Sondre Lerche’s Solo “Siamese Twin” by Mitch Mosk
November 8, 2017<November 8, 2017 Premiere: Kit & The Chardonnay Boys’ Chaotic, Reckless & Romantic “If You Got ‘Em” by Christine Costello
November 8, 2017<November 8, 2017 Today’s Song: Howard’s Hypnotic “Mother’s Wedding” Pushes the Envelope by Mitch Mosk
November 8, 2017<November 8, 2017 Carving Her Place in the World: An Interview with SUMif by Alex Killian