November 20, 2017<November 20, 2017 Premiere: Lake Jons “Breathe Out the Fumes” with Empowering Passion by Mitch Mosk
November 20, 2017<November 20, 2017 Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween” by Mitch Mosk
November 17, 2017<November 17, 2017 Video Premiere: The Rigs Assert Intimate Independence in “The Hunted” by Mitch Mosk
November 17, 2017<November 17, 2017 Premiere: OYLS Keep It Light on Electric Tribute, “Jerry” by Mitch Mosk
November 17, 2017<November 17, 2017 Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection by Mitch Mosk
November 17, 2017<November 17, 2017 Premiere: Monikers’ Frigid and Fiery “Glacial Pace” by Mitch Mosk
November 17, 2017<November 17, 2017 Video Premiere: High-Energy Swells on Street Joy’s Lax “Do A Thing” by Kendall Graham
November 17, 2017<November 16, 2017 EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve by Mitch Mosk
November 16, 2017<November 16, 2017 Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance” by Mitch Mosk
November 16, 2017<November 16, 2017 Album Premiere: Broke Royals Break the Mold with Multi-Layered Debut by Sara Santora
November 16, 2017<November 16, 2017 Premiere: Harlee’s “Venom” Burns with Pop-Filled Betrayal by Kelly McCafferty Dorogy
November 16, 2017<November 16, 2017 Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You by James Crowley
November 15, 2017<November 15, 2017 Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo” by Mitch Mosk