8.1 January 11, 2021<January 11, 2021 Our Take: Poppy’s ‘I Disagree’ Is a Raucous Ode to Artistic Freedom by Danny Vagnoni
January 8, 2021<June 13, 2023 Praise Is Long Overdue for BTS’ Nuanced, Heartfelt, Electrifying ‘Map of the Soul: 7’ by Jesse Herb
January 7, 2021<January 7, 2021 Interview: Fast Rising Dream Pop Star Lisa Remar Talks “Fell Into” and Her Distinctive Boom Bap Flair by Chloe Robinson
January 6, 2021<January 6, 2021 “A Headphones Kind of Record”: UK’s Lanterns on the Lake Dive into Intimate ‘The Realist’ EP by Mitch Mosk
January 5, 2021<January 5, 2021 “Powerful, Honest, & Intimate”: Inside Foxanne’s Visceral Debut Album ‘It’s real (I knew it)’ by Mitch Mosk
January 5, 2021<January 5, 2021 Artist to Watch: Maddy Storm Faces Change Headfirst on New Song “The Art of Giving Up” by Lexi Lane
8.3 January 4, 2021<January 4, 2021 Our Take: Bruce Springsteen’s ‘Letter to You’ Is a Neat Parcel of Mortality, Youth, and The Boss by Bethan Harper
December 29, 2020<December 28, 2020 Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’ by Frankie Rose
8 December 22, 2020<December 21, 2020 Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars by Emily Frances Algar
December 21, 2020<December 21, 2020 Review: The Old North’s Self-Titled Debut EP Should Make Bostonians Proud by Ethan James
9 December 21, 2020<December 21, 2020 Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’ by Leo Culp
December 21, 2020<December 21, 2020 Track-by-Track: UK Artist Issy Wood’s Eccentric, Enthralling, & Experimental ‘Cries Real Tears!’ EP by Mitch Mosk
December 21, 2020<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’ by Atwood Magazine Staff
December 18, 2020<December 18, 2020 Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’ by Maggie McHale
8.6 December 17, 2020<December 17, 2020 “Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’ by Mitch Mosk