November 7, 2018<November 29, 2018 This Just In: Sleek and Stylized, Foxwarren’s “Everything Apart” Is a Versatile and Engaging Debut Single by Adrian Vargas
October 12, 2018<June 20, 2024 A “Simple Romance”: Zooming in on the Right Now with COIN by Audrey Steeves
September 28, 2018<October 30, 2018 This Just In: Finding Hope in Love in The Japanese House’s “Lilo” by Nicole Almeida
August 22, 2018<August 29, 2018 Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME” by Atwood Magazine Staff
August 14, 2018<August 14, 2018 This Just In: JP Saxe & Charlotte Lawrence Compel with Phenomenal “The Few Things” by Luke Pettican
August 10, 2018<August 15, 2018 This Just In: Mitski Delivers an Emotive and Passionate Anthem with “Two Slow Dancers” by Adrian Vargas
August 6, 2018<August 6, 2018 This Just In: Disco Lives Forever in Black Honey’s “Midnight” by Lindsay Call
August 1, 2018<August 6, 2018 This Just In: Jade Bird Explodes with Raw, Relentless Hit Single “Uh Huh” by Mitch Mosk
July 31, 2018<July 31, 2018 This Just In: The Intoxicating Heat of Kelsy Karter’s Anthem “Sad Sad Summer” by Mitch Mosk
July 27, 2018<July 27, 2018 This Just In: Bittersweet Closure in Violetta Zironi’s “One More Goodbye” by Mitch Mosk
July 27, 2018<July 27, 2018 This Just In: Oli Hannaford and Marna Emotionally Try “Considering Both Sides” by Maggie McHale
June 8, 2018<July 6, 2018 Interview: CAPPA Releases “Tension” with a Fun, Feelgood Embrace by Mitch Mosk
May 18, 2018<July 11, 2018 This Just In: Greg Holden’s Repentant Return “On the Run” Is an Instant Classic by Mitch Mosk
May 17, 2018<May 17, 2018 Review: The Stirring Weight of Tessa Rae’s Heartbroken “Downtown” by Mitch Mosk
March 30, 2018<March 30, 2018 This Just In: Bloodboy’s “Is Now a Good Time to Ruin Your Life?” Is an Anthem for Us All by Lindsay Call
For the Love of Music
For the Love of Music
