8.3 February 24, 2021<June 2, 2023 Our Take: With ‘Medicine at Midnight’, Foo Fighters’ Album Total Cracks the Double Digits in Grand Style by Josh Weiner
8 February 8, 2021<February 8, 2021 Our Take: Freddie Gibbs and the Alchemist’s ‘Alfredo’ Is a Masterclass in Confidence by Leo Culp
8 February 8, 2021<February 8, 2021 ‘Ongoing Dispute’: Aarhus Indie Rockers Yung Dive into Their Outstanding Sophomore Album by Mitch Mosk
9.4 February 8, 2021<February 8, 2021 Our Take: Waxahatchee’s ‘Saint Cloud’ Is a Glimmer of Goodness and Light by Lowndes Commander
7.7 February 5, 2021<February 5, 2021 Our Take: Peace Chord’s Self-Titled Ethereal Debut Is One to Be Lauded by Adrian Vargas
8.3 January 25, 2021<January 25, 2021 Our Take: A Sonically Rich & Sincere Retrospection with Typhoon’s ‘Sympathetic Magic’ by Adrian Vargas
8.9 January 21, 2021<January 21, 2021 Our Take: Rhye’s ‘Home’ Is a Harmonious Display of Seduction and Majesty by Adrian Vargas
8.9 January 15, 2021<January 15, 2021 Midwestern Glitz: Spirit of the Bear’s Soaring & Stunning Eponymous Third Album by Mitch Mosk
10 January 14, 2021<February 5, 2021 Interview: Denai Moore on Artistic Authenticity & Unapologetic Album ‘Modern Dread’ by Mitch Mosk
9 January 13, 2021<January 13, 2021 Our Take: Neil Young Wistfully Digs Up His Past On Lost Album “Homegrown” by Jordan Catagnus
8.7 January 12, 2021<January 12, 2021 Review: Shame Color Life’s Grey Areas on Sophomore Album ‘Drunk Tank Pink’ by Guest Writer
8.1 January 11, 2021<January 11, 2021 Our Take: Poppy’s ‘I Disagree’ Is a Raucous Ode to Artistic Freedom by Danny Vagnoni
8.3 January 4, 2021<January 4, 2021 Our Take: Bruce Springsteen’s ‘Letter to You’ Is a Neat Parcel of Mortality, Youth, and The Boss by Bethan Harper
8 December 22, 2020<December 21, 2020 Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars by Emily Frances Algar
9 December 21, 2020<December 21, 2020 Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’ by Leo Culp