April 9, 2020<June 29, 2024 Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act by Atwood Magazine Staff
April 9, 2020<April 6, 2020 Music You Should Know: The Unpredictable but Intriguing Sounds of Weatherday’s ‘Come In’ by Nick Matthopoulos
April 7, 2020<April 7, 2020 EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP by Mitch Mosk
8.9 April 7, 2020<December 15, 2020 Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’ by Mitch Mosk
April 3, 2020<April 3, 2020 This Just In: NoMBe’s Beautiful “Weirdo” Is a Heartfelt, Seductive Ballad by Mitch Mosk
April 3, 2020<June 29, 2024 Roundtable Discussion: A Review of Dua Lipa’s ‘Future Nostalgia’ by Atwood Magazine Staff
April 2, 2020<April 6, 2020 Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’ by Mitch Mosk
8.3 April 2, 2020<December 15, 2020 Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution by Danny Vagnoni
April 2, 2020<March 31, 2020 This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely” by Luke Pettican
March 31, 2020<December 15, 2020 Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’ by Josh Weiner
March 30, 2020<March 31, 2020 Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock by Mitch Mosk
9 March 30, 2020<December 15, 2020 Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’ by Josh Weiner
9.7 March 27, 2020<December 15, 2020 Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’ by Mitch Mosk
March 27, 2020<March 27, 2020 Review: Riaz Ahmad Proves a Glorious Singer & Affectionate Son on Debut EP ‘All at Sea’ by Josh Weiner
March 26, 2020<March 26, 2020 FLOWVERS’ Debut EP Is Pure, Angsty, & Fun Indie Rock for the ‘Throwaway Generation’ by Mitch Mosk
For the Love of Music
For the Love of Music
