9.4 September 18, 2019<December 15, 2020 A Mystery & Charm that Only Strengthens with Age: A Conversation with Blood Cultures by Adrian Vargas
September 17, 2019<September 17, 2019 The Maturation from Saturation: BROCKHAMPTON’s Soulful ‘GINGER’ Is a Triumph by Maggie McHale
9.3 September 13, 2019<December 15, 2020 Our Take: The Lumineers’ III Is a Sonic and Cinematic Masterpiece by Kelly McCafferty Dorogy
September 13, 2019<September 13, 2019 Today’s Song: “Oh My God!”, Colouring are Head Over Heels by Nicole Almeida
September 11, 2019<December 15, 2020 Review: The Commonheart’s ‘Pressure’ Will Make You Feel the Love by Oliver Crook
September 10, 2019<June 29, 2024 Roundtable Discussion: A Review of Lana del Rey’s ‘Norman Fucking Rockwell!’ by Atwood Magazine Staff
September 10, 2019<September 10, 2019 Singing “Hallelujah”: Oh Wonder Dive into Their Stirring Spiritual Release by Mitch Mosk
September 6, 2019<October 16, 2019 Sugar, Spice, and Everything Nice: An Interview with Oddnesse by Mitch Mosk
8 September 6, 2019<December 15, 2020 Our Take: Charming & Personal, Frankie Cosmos Captivate on ‘Close It Quietly’ by Adrian Vargas
September 5, 2019<September 5, 2019 Intimacy, Discovery, and Being ‘Together’: An Interview with Wolfjay by Mitch Mosk
September 5, 2019<September 5, 2019 Review: Caravan Palace’s ‘Chronologic’ Is Swinging, Haunting in Turns by Danny Vagnoni
September 4, 2019<September 4, 2019 Today’s Song: City and Colour Confronts Shortcomings and Connects Fans With “Living in Lightning” by Madison Vettorino
September 3, 2019<September 3, 2019 Today’s Song: Bea Miller Opens Up About Her Demons In “feel something” by Alicia Bugallo
August 30, 2019<August 30, 2019 Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock by Mitch Mosk
August 29, 2019<August 29, 2019 Acting Like a “Real Jerk”: A Conversation with Spooky Mansion by Adrian Vargas
For the Love of Music
For the Love of Music
