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mer marcum "Body" © Marc Guiffre
Interviews, Music, Today's SongFebruary 2, 2026<February 2, 2026

“I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale

by Mitch Mosk
Evann McIntosh "Mull It Over" © Nicholas Cantu
Columns, Music, Today's SongFebruary 1, 2026<February 1, 2026

Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories

by Rachel Leong
Paris Paloma "Good Girl" © Phoebe Fox
Columns, Music, Today's SongJanuary 31, 2026<January 31, 2026

Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl”

by Nicolle Knapová
Atwood Magazine's 145th Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 30, 2026<January 30, 2026

Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver!

by Mitch Mosk
Lily Meola "Never Kissed a Cowboy" © Forrest Dein
Interviews, MusicJanuary 30, 2026<January 30, 2026

“All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy”

by Aileen Goos
Bruce Springsteen "Streets of Minneapolis" © 2026
Features, Music, Today's SongJanuary 30, 2026<January 29, 2026

“Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History

by Atwood Magazine Staff
The Dears © Richmond Lam
Interviews, MusicJanuary 29, 2026<March 9, 2026

Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens

by Damien Joyce
Light Bird © Christina Visconti
Debut, Music, PremieresJanuary 29, 2026<January 29, 2026

“You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge”

by Mitch Mosk
Elijah Wolf © courtesy of the artist
Interviews, Music, Today's SongJanuary 29, 2026<January 29, 2026

“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home

by Mitch Mosk
Michael Marcagi is a Midwest Kid © Jimmy Fontaine
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026

“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’

by Mitch Mosk
Alice Merton 'Visions' © Elias Köhler
Features, Interviews, MusicJanuary 28, 2026<January 28, 2026

“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album

by Mitch Mosk
Tony DV © Alex Kennedy
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026

“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too

by Mitch Mosk
Spanish Love Songs © Hannah Gray Hall
Features, Interviews, MusicJanuary 27, 2026<February 11, 2026

“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It

by Mitch Mosk
Cormac "Defenceless" © Tracy Steele Photography
Columns, Music, Today's SongJanuary 27, 2026<January 27, 2026

“Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless”

by Joe Beer
Front Row Salvation © Mike Walli
Essays, MusicJanuary 27, 2026<January 27, 2026

Essay: Front Row Salvation

by Guest Writer
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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