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The Noisy's Sara Mae © Morgan Kelley
Editorials, MusicOctober 27, 2025<October 27, 2025

“Pink Merkins & Meat Sweats: How Philly Nightlife Shaped the Visual World of My Music”: An Essay by The Noisy’s Sara Mae

by Guest Writer
The Strumbellas © Stephanie Montani
Features, Interviews, MusicOctober 27, 2025<October 27, 2025

“If you’re not vulnerable, you miss the chance to connect”: The Strumbellas Are Ready to Burn It All Down – In the Best Way

by Aileen Goos
Fust "Mountain Language" © Charlie Boss
Columns, Today's SongOctober 27, 2025<October 27, 2025

Today’s Song: Fust Welcome Us into Their Home on “Mountain Language”

by Will Yarbrough
Flycatcher © Rebecca Lader
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025

Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go

by Will Yarbrough
Wrabel © Dana Trippe
Features, Interviews, MusicOctober 22, 2025<October 22, 2025

“Flowers Still Bloom in Spite of Everything”: WRABEL Gets Existential on His Upcoming Album ‘Up Above’

by Aileen Goos
Isabel Rumble © Elise Idiens
Features, Music, Premieres, Track-by-TrackOctober 22, 2025<October 22, 2025

“The Heart Knows”: Isabel Rumble Softens into Change on Sophomore LP ‘Hold Everything Lightly,’ a Tender Meditation on Womanhood & Renewal

by Mitch Mosk
Arno Sacco "Blue Boy" © Ashley Rottjers
Artist to Watch, Debut, Music, Today's SongOctober 22, 2025<October 22, 2025

“Soft but Intentional”: Arno Sacco Finds Strength in Stillness & Vulnerability on Soul-Stirring Debut “Blue Boy”

by Mitch Mosk
Jillian Jacqueline © Virgin Music Group
Features, Interviews, MusicOctober 21, 2025<October 22, 2025

“This album feels like the inside of my heart, my brain, and my soul”: Jillian Jacqueline Creates an Intimate World on ‘MotherDaughterSisterWife’

by Emily Frances Algar
Doja Cat © Greg Swales 8.4
Music, Our Take, ReviewsOctober 21, 2025<October 21, 2025

Our Take: Doja Cat Delivers a Fiery Fifth Album with the Mega-Upbeat ‘Vie’

by Josh Weiner
The Technicolors © Eric Halvorsen
Columns, Music, Today's SongOctober 21, 2025<October 21, 2025

“Bleed into Normal”: The Technicolors Turn Reckoning into Revelation on “First Class to Nowhere,” a Dreamy & Aching Alt-Rock Reverie

by Mitch Mosk
Avery Cochrane © Rachel Bennett
Columns, Music, Today's SongOctober 20, 2025<October 20, 2025

“Will She Waste into the Kind of Woman Everyone Likes?”: Avery Cochrane Shines a Light in “Shapeshifting on a Saturday Night,” an Intimate Reflection on Vulnerability

by Ashley Littlefield
Mothé 'Total Popstar' © Sophia Ragomo
Features, Interviews, MusicOctober 20, 2025<October 20, 2025

Trashy, Smoky, Fun, & Free: Mothé Destroys Perfection and Redefines Pop on ‘Total Popstar,’ Their Unapologetic & Unfiltered Sophomore Album

by Mitch Mosk
Atwood Magazine's 134th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 17, 2025<October 17, 2025

Editor’s Picks 134: Asha Banks, Ashley Singh, ANT ENOCH, Winyah, The Sophs, & Perren!

by Mitch Mosk
Matt Von Roderick © 2025
Features, Interviews, MusicOctober 17, 2025<October 18, 2025

The Sky’s the Limit: Matt Von Roderick on Jazz, Imagination, and ‘The Perfect Storm’

by Sage Bava
Guthrie © 2025
Artist to Watch, Interviews, MusicOctober 17, 2025<October 17, 2025

Artist to Watch: Melbourne’s GUTHRIE Finds Beauty in the Breaking on “Adrenals,” a Soul-Stirring Anthem of Surrender & Survival

by Mitch Mosk
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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