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Myra Lee "Magpie" © Laila Holmes
Debut, Interviews, Music, PremieresApril 2, 2026<April 2, 2026

“Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

by Mitch Mosk
MUNA "Dancing on the Wall" © Dean Bradshaw
Columns, Music, Today's SongApril 2, 2026<April 2, 2026

“I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

by Mitch Mosk
Atwood Magazine's 151st Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 1, 2026<April 2, 2026

Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

by Mitch Mosk
Stock Band press photo
Does Anybody Remember Laughter?April 1, 2026<April 1, 2026

Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes

by Dusty Hayes
MEEK "Fabulous" © courtesy of the artist
Artist to Watch, Debut, Interviews, MusicApril 1, 2026<April 2, 2026

“I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem

by Mitch Mosk
Maria Taylor © Liz Bretz
Interviews, MusicApril 1, 2026<April 2, 2026

“I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’

by Aileen Goos
Oliver Pinder "Such an Angel" © Lily Ajab
Interviews, Music, PremieresMarch 31, 2026<March 31, 2026

Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

by Mitch Mosk
Babes in Canyon "Echo" © Rachel Bennett
Interviews, Music, Music Videos, PremieresMarch 31, 2026<April 2, 2026

“F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra

by Mitch Mosk
Fantastic Cat © Vivian Wang, Fikri Abdurakhman
Interviews, Music, Today's SongMarch 31, 2026<March 31, 2026

“Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry

by Mitch Mosk
Eliza Edens © Juliet Farmer
Interviews, Music, PremieresMarch 30, 2026<March 31, 2026

“Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

by Mitch Mosk
Smag På Dig Selv © Erling Brodersen
Interviews, MusicMarch 30, 2026<March 30, 2026

Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight

by Josh Weiner
Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
Interviews, Music, Track-by-TrackMarch 30, 2026<March 30, 2026

“I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

by Aileen Goos
Annalisa "Canzone Estiva" © Nicholas Fols
Columns, Music, Today's SongMarch 30, 2026<March 30, 2026

Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva”

by David Buyze
Holder © Cooper Rich
Columns, Music, Today's SongMarch 28, 2026<March 28, 2026

Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable”

by Will Yarbrough
Atwood Magazine's Weekly Roundup | March 27, 2026
Columns, Features, Music, Weekly RoundupMarch 27, 2026<March 27, 2026

Atwood Magazine’s Weekly Roundup: March 27, 2026

by Atwood Magazine Staff
Posts pagination
1 … 9 10 11 12 13 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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