• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Sydney Ross Mitchell 'Cynthia' EP
Music, ReviewsFebruary 6, 2026<February 6, 2026

When Home Still Hurts: Sydney Ross Mitchell’s ‘Cynthia’ is an EP About Leaving – and Being Seen

by Nicolle Knapová
Katie Tupper © Nathan Lau
Debut, Interviews, Music, Today's SongFebruary 6, 2026<February 6, 2026

“I Will Be Your Safe Ground”: Katie Tupper Unleashes Her Smoky, Smoldering, Saskatchewan Soul

by Mitch Mosk
Whitney Fenimore 'State of Being' © Alysse Gafkjen
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 11, 2026

“Raw, Unapologetic, & Hopeful”: Whitney Fenimore Reclaims Her Faith, Self, & Peace on ‘State of Being,’ an Indie Folk Debut From Her Inner World

by Mitch Mosk
Brown Horse © Georgia Ward
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 5, 2026

Norwich Alt-Country Standouts Brown Horse Turned ‘All the Right Weaknesses’ into Their Greatest Strength

by Mitch Mosk
Yumi Zouma © Mikayla Hubert
Interviews, Music, Today's SongFebruary 5, 2026<February 5, 2026

“I’m Better Now That You’re in My Life”: Yumi Zouma Find Love in the Everyday on “Phoebe’s Song,” an Indie Rock Daydream

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 4, 2026
Columns, Features, Music, Weekly RoundupFebruary 4, 2026<February 4, 2026

Atwood Magazine’s Weekly Roundup: February 4, 2026

by Atwood Magazine Staff
untitled freak's Ali Genevich © Mars Alba
Artist to Watch, Debut, Interviews, MusicFebruary 4, 2026<February 4, 2026

“Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning

by Mitch Mosk
Yuzuko DeGrottole strums in the courtyard © Bella Bromberg
Features, MusicFebruary 4, 2026<March 9, 2026

“Peaceful Death is Our Goal”: Music Therapy and Emotional Catharsis with Hospice Therapist Yuzuko DeGrottole

by Bella Bromberg
Anne-Marie Keane © 2026
Interviews, MusicFebruary 4, 2026<February 4, 2026

Meet Anne-Marie Keane: Sailing Across the World and Ever True to Her Musical Craft

by Josh Weiner
Melanie Martinez "POSSESSION" © Cho Giseok
Columns, Music, Today's SongFebruary 4, 2026<February 4, 2026

Melanie Martinez’s “POSSESSION” Is a Candy-Coated Descent into HADES

by Danielle Holian
Nat and Alex Wolff © Shervin Lainez
Features, Interviews, MusicFebruary 3, 2026<February 3, 2026

Feature: Nat & Alex Wolff on How They Built an Album from Their Love of Music and Each Other

by Kelly McCafferty Dorogy
Noah Kahan "The Great Divide" © Patrick McCormack
Music, Reviews, This Just InFebruary 3, 2026<February 7, 2026

“I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart

by Mitch Mosk
Snail Mail "Dead End" © Daria Kobayashi Ritch
Columns, Music, Today's SongFebruary 3, 2026<February 2, 2026

Snail Mail’s “Dead End” Makes Heartbreak a Bit More Bearable

by Julia Dzurillay
justbrandon © Sam Aldrich
Interviews, MusicFebruary 2, 2026<February 2, 2026

“Don’t turn my death into a performance”: Indiana’s justbrandon on Legacy, Intention, & Living Honestly on “Bury Me on a Backroad”

by Chloe Robinson
Sydney Ross Mitchell "Cynthia" © Sabra Binder
Features, Interviews, MusicFebruary 2, 2026<February 2, 2026

The Sacred and the Self: Sydney Ross Mitchell on Faith, Freedom, and Finding Her Voice With ‘Cynthia’

by Nicolle Knapová
Posts pagination
1 … 8 9 10 11 12 … 727

Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services