Artist to Watch, Features, Lists, MusicFebruary 12, 2026<February 12, 2026 Atwood Magazine’s 2026 Artists to Watch by Atwood Magazine Staff
Concerts, Music, ReviewsFebruary 11, 2026<February 11, 2026 Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency by Emma Schoors
Music, PremieresFebruary 11, 2026<February 11, 2026 “I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough” by Mitch Mosk
Essays, MusicFebruary 11, 2026<February 11, 2026 “Writing a Song to Meet the Moment”: An Essay by Boy Golden by Guest Writer
Music, Music Videos, PremieresFebruary 11, 2026<February 11, 2026 Video Premiere: Tommy Emmanuel Reimagines “You Needed Me” with Acoustic Warmth and Grace for Valentine’s Day by Ashley Littlefield
Interviews, Music, Today's SongFebruary 11, 2026<February 16, 2026 “This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point by Mitch Mosk
Interviews, Music, PremieresFebruary 10, 2026<February 10, 2026 “I Choose to Love You”: Happy Just To See You Turn Self-Loathing into Catharsis on “Last Week’s Horse,” a Bruised Break-Up Song With Yourself by Mitch Mosk
Interviews, Music, Today's SongFebruary 10, 2026<February 10, 2026 “Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism by Mitch Mosk
Debut, Interviews, Music, PremieresFebruary 9, 2026<February 9, 2026 “Will we ever return?”: SLC’s Anthony Pena Returns Home on His Dreamy, Soulful Debut Single “H.T.S.” by Mitch Mosk
Debut, Interviews, Music, Today's SongFebruary 9, 2026<February 9, 2026 “Time Can Really Run Away”: Louis Oliver Debuts with a Sweeping Piano Ballad Full of Heart, Soul, and Presence by Mitch Mosk
Columns, Music, Today's SongFebruary 8, 2026<February 8, 2026 “As the Lights Smeared”: Rolling Blackouts Coastal Fever Chase the Afterglow on “Sunburned in London” by Ashley Littlefield
Columns, Music, Today's SongFebruary 7, 2026<February 7, 2026 “In the silence between the notes”: Charlotte de Witte Hypnotizes Dark Dancefloors with “The Realm” by Ashley Littlefield
Columns, Editor's Picks, Features, MusicFebruary 6, 2026<February 18, 2026 Editor’s Picks 146: Cherry Bomb, Chet Faker, Claire Rosinkranz, The 4411, Donovan Woods, & Bad Tiger! by Mitch Mosk
Essays, MusicFebruary 6, 2026<February 6, 2026 “Autotelic: Holding On, Letting Go, and Making a Record in Public”: An Essay by LAPêCHE by Guest Writer
Music, ReviewsFebruary 6, 2026<February 6, 2026 When Home Still Hurts: Sydney Ross Mitchell’s ‘Cynthia’ is an EP About Leaving – and Being Seen by Nicolle Knapová
For the Love of Music
For the Love of Music
