Debut, Features, Interviews, MusicApril 14, 2026<April 14, 2026 All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity by Jonah Evans
Interviews, MusicApril 14, 2026<April 14, 2026 “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’ by Aileen Goos
Interviews, Music, PremieresApril 14, 2026<April 14, 2026 “A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie by Mitch Mosk
Columns, Music, Today's SongApril 14, 2026<April 14, 2026 “I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure” by Isabella Appell
Debut, Features, Interviews, MusicApril 13, 2026<April 13, 2026 Avery Cochrane Is Singing Dispatches From a Dying Empire by Kelsey Ferrell
Features, Interviews, MusicApril 13, 2026<April 15, 2026 Cardinals & Saints: The Wonder Years Talk 10 Years of ‘No Closer to Heaven’ by James Crowley
Columns, Music, Today's SongApril 13, 2026<April 13, 2026 Today’s Song: Blood Orange Sees the “Vivid Light” with a Moody, Seductive Sunset Reverie by Julia Dzurillay
Columns, Music, Today's SongApril 12, 2026<April 11, 2026 “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie by Ashley Littlefield
Columns, Music, Today's SongApril 11, 2026<April 11, 2026 “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” by Danielle Holian
Columns, Editor's Picks, Features, MusicApril 10, 2026<April 10, 2026 Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! by Mitch Mosk
Features, Music, Reviews, RoundtableApril 10, 2026<April 10, 2026 Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ by Atwood Magazine Staff
Columns, Music, Today's SongApril 10, 2026<April 10, 2026 “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” by Yashavi Upasani
Columns, Features, Music, Weekly RoundupApril 10, 2026<April 10, 2026 Atwood Magazine’s Weekly Roundup: April 10, 2026 by Atwood Magazine Staff
Interviews, MusicApril 9, 2026<April 9, 2026 “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA by Marissa DeLeon
Essays, MusicApril 9, 2026<April 9, 2026 “The Return of Intuition”: An Essay by Tenille Townes by Guest Writer
For the Love of Music
For the Love of Music
