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Geese's Halloween 2025 Show © Lewis Evans
Concerts, Music, ReviewsNovember 6, 2025<November 6, 2025

‘Geese-O-Ween’ Review: Geese Reaffirm Their Status as the Hottest Ticket This Fall at Spellbinding San Diego Show

by Anu Sarode
Tie you down - HAIM x Bon Iver
Columns, Music, Today's SongNovember 6, 2025<November 6, 2025

“I Don’t Want to Hold You Back”: HAIM & Bon Iver Linger in Love’s Afterglow on “Tie you down,” a Tender Soundtrack to Longing & Letting Go

by Ashley Littlefield
Anthony Ruptak © Angela Bakas
Music, PremieresNovember 5, 2025<November 5, 2025

“An Anthem for the Apocalypse”: Anthony Ruptak Confronts Chaos, Collapse, & Connection on “PHANTASMAGORIA”

by Mitch Mosk
Dave 'The Boy Who Played the Harp' © Gabriel Moses
Music, ReviewsNovember 5, 2025<November 5, 2025

Dave’s ‘The Boy Who Played the Harp’ Dares You to Battle Anxieties Within Yourself & the World Around Us

by Andrew Lamson
Paris Paloma "Good Boy" © Phoebe Fox
Features, Interviews, MusicNovember 5, 2025<November 7, 2025

A World on Fire and a Song to Match: Paris Paloma’s “Good Boy” Era Has Arrived

by Nicolle Knapová
A fire dancer at 2022's Beacon Bonfire © Austin Ruffer
Events, Interviews, MusicNovember 4, 2025<November 4, 2025

A Living Signal Fire: Beacon Bonfire Music + Art Festival Lights Up the Hudson Valley with 5 Days of Creativity, Community, & Connection

by Mitch Mosk
Laura Evans © Rob Blackham
Features, Interviews, MusicNovember 4, 2025<November 4, 2025

From Shadows to Spotlight: Laura Evans’ ‘Out of the Dark’ Shines Bright

by Aileen Goos
Dylan Flynn And The Dead Poets © Jamie Moore
Artist to Watch, Columns, Music, Today's SongNovember 4, 2025<November 4, 2025

“I’ve Been Living Life the Wrong Way”: On “Lately,” Dylan Flynn & The Dead Poets Turn Soul-Searching into a Soaring Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 3, 2025
Columns, Features, Music, Weekly RoundupNovember 3, 2025<November 4, 2025

Atwood Magazine’s Weekly Roundup: November 3, 2025

by Atwood Magazine Staff
Your Future Ghost © Ima Leupp
Debut, Interviews, MusicNovember 3, 2025<November 3, 2025

‘Impatient for the Dream’: Your Future Ghost’s Daring Debut Era Is Unfiltered and On Fire

by Chloe Robinson
Laura Hickli "call it off" © Sara Kueler
Columns, Music, Today's SongNovember 3, 2025<November 3, 2025

“I Wish Things Stayed the Same”: Laura Hickli Reckons with Memory & Survival on “call it off,” a PTSD-Fueled Art Pop Fever Dream

by Mitch Mosk
Wes Parker © Jonathan Parker
Interviews, MusicOctober 31, 2025<October 31, 2025

Freedom and Fallen Angels: Journey into the World of Wes Parker’s ‘fantom’

by Kaiana Lee
joan © Edward Crockett
Features, Interviews, MusicOctober 31, 2025<November 6, 2025

“this won’t last forever”: joan Embrace Impermanence, Creation, & the Beauty of Living in the Grey on Their Cinematic Sophomore Album

by Mitch Mosk
Not for Radio 'Melt' album art
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025

Roundtable Discussion: A Review of Not for Radio’s ‘Melt’

by Atwood Magazine Staff
Tucana "Spirit Bomb" © Joshua A. Fischer
Columns, Music, Today's SongOctober 31, 2025<October 30, 2025

Today’s Song: With “Spirit Bomb,” Tucana Are Prime to Blow Up

by Will Yarbrough
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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